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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Travel by Robert Louis Stevenson:

Call him with lighted lamp in the eventide.

Thick as the stars at night when the moon is down, Pleasures assail him. He to his nobler fate Fares; and but waves a hand as he passes on, Cries but a wayside word to her at the garden gate, Sings but a boyish stave and his face is gone.


IN dreams, unhappy, I behold you stand As heretofore: The unremembered tokens in your hand Avail no more.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

until early 1947 (1).

Between 20 July 1945 and 21 November 1945, 67 groups entered the ground zero area. Most of these parties entered in the month after shot-day. These were the scientists and technicians conducting experiments or retrieving data. By the beginning of September, most of those who entered the ground zero area were invited guests (1).

Also during the period 20 July through 21 November, at least 71 soldiers were at the TRINITY test site. Twenty-five of these men were support personnel who never went within 460 meters of ground zero. The remaining 46 men were technical personnel, laborers who erected the 460-meter fence, or military policemen who served as guides.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

"/Ecco la Marianna/!" exclaimed the cook.

Marianna recognized Giardini, the erewhile cook, in the poor fellow she saw, without wondering by what series of disasters he had sunk to keep a miserable shop for secondhand food. She went in and sat down, for she had come from Fontainebleau. She had walked fourteen leagues that day, after begging her bread from Turin to Paris.

She frightened that terrible trio! Of all her wondrous beauty nothing remained but her fine eyes, dimmed and sunken. The only thing faithful to her was misfortune.

She was welcomed by the skilled old instrument mender, who greeted her with unspeakable joy.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

of the English - their attitude not so much of suppressing their private griefs as of refusing to obtrude them. A strongly individualistic people, they were already commencing to think nationally. Grief was a private matter, to be borne privately. To the world they must present an unbroken front, an unshaken and unshakable faith. A new attitude, and a strange one, for grumbling, crochety, gouty-souled England.

A people who had for centuries insisted not only on its rights but on its privileges was now giving as freely as ever it had demanded. It was as though, having hoarded all those years, it had but been hoarding against the day of payment. As it had received it gave - in money, in effort, in life. And without pretext.