The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac: the way for the prodigalities of children, he allowed almost nothing
to his son, although that son was an only child.
Paul de Manerville, coming home from the college of Vendome in 1810,
lived under close paternal discipline for three years. The tyranny by
which the old man of seventy oppressed his heir influenced,
necessarily, a heart and a character which were not yet formed. Paul,
the son, without lacking the physical courage which is vital in the
air of Gascony, dared not struggle against his father, and
consequently lost that faculty of resistance which begets moral
courage. His thwarted feelings were driven to the depths of his heart,
where they remained without expression; later, when he felt them to be
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson: although Archie set out in all the directions of the compass, he always
came home again from some point between the south and west. From the
study of a map, and in consideration of the great expanse of untenanted
moorland running in that direction towards the sources of the Clyde, he
laid his finger on Cauldstaneslap and two other neighbouring farms,
Kingsmuirs and Polintarf. But it was difficult to advance farther.
With his rod for a pretext, he vainly visited each of them in turn;
nothing was to be seen suspicious about this trinity of moorland
settlements. He would have tried to follow Archie, had it been the
least possible, but the nature of the land precluded the idea. He did
the next best, ensconced himself in a quiet corner, and pursued his
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Sportsman by Xenophon: cultivated lands, owing to their chronic apprehension of mankind in
daytime, night is the only time.[33]
[31] "Before the sun is up."
[32] Or, "thanks to the lonesomeness of the region."
[33] "It is night or never, owing to the dread of man which haunts the
creature's mind during daytime."
As soon as the huntsman finds a gin uprooted he will let slip his
hounds and with cheery encouragement[34] follow along the wake of the
wooden clog, with a keen eye to the direction of its march. That for
the most part will be plain enough, since stones will be displaced,
and the furrow which the clog makes as it trails along will be
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Agesilaus by Xenophon: Ephesus, and set himself to the work of training it. With that object
he proposed a series of prizes: one set for the cavalry squadron which
rode best, another for the heavy infantry divisions which presented
the best physique, another again for various light troops, peltasts,
and bowmen, which showed themselves most efficient in their respective
duties.
[12] B.C. 395; see "Hell." III. iv. 16; Plut. "Marcel." (Clough, ii.
262); Polyb. xii. 20, 7.
Thereupon it was a sight to see the gymnasiums thronged with warriors
going through their exercises, the racecourses crowded with troopers
on prancing steeds, the archers and the javelin men shooting at the
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