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Today's Stichomancy for Ricky Martin

The first excerpt represents the past or something you must release, and is drawn from New Poems by Robert Louis Stevenson:

Drunk men tak' aye mair place than ony; An' sae, ye see, The gate was aye ower thrang for Johnie - Or you an' me.

John micht hae jingled cap an' bells, Been a braw fule in silks an' pells, In ane o' the auld worl's canty hells Paris or Sodom. I wadnae had him naething else But Johnie Adam.

He suffered - as have a' that wan

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

judge from his habit, which was that of a planter. His features were good -- a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well fitting frock coat. He wore a moustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.


An Occurrence at Owl Creek Bridge
The third excerpt represents the future or something you must embrace, and is drawn from Phaedo by Plato:

to her belongs the essence of which the very name implies existence. Having, as I am convinced, rightly accepted this conclusion, and on sufficient grounds, I must, as I suppose, cease to argue or allow others to argue that the soul is a harmony.

Let me put the matter, Simmias, he said, in another point of view: Do you imagine that a harmony or any other composition can be in a state other than that of the elements, out of which it is compounded?

Certainly not.

Or do or suffer anything other than they do or suffer?

He agreed.

Then a harmony does not, properly speaking, lead the parts or elements