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Today's Stichomancy for Salma Hayek

The first excerpt represents the past or something you must release, and is drawn from The Rape of Lucrece by William Shakespeare:

Another smother'd seems to pelt and swear; And in their rage such signs of rage they bear, As, but for loss of Nestor's golden words, It seem'd they would debate with angry swords.

For much imaginary work was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand; himself, behind, Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Sons and Lovers by D. H. Lawrence:

and putting her head slightly on one side.

"I'll light her the candle, mother," he said.

"Very well," replied the mother.

Miss Western stood up, held out her hand to Mrs. Morel.

"Good-night, Mrs. Morel," she said.

Paul sat at the boiler, letting the water run from the tap into a stone beer-bottle. Annie swathed the bottle in an old flannel pit-singlet, and kissed her mother good-night. She was to share the room with the lady, because the house was full.

"You wait a minute," said Mrs. Morel to Annie. And Annie sat nursing the hot-water bottle. Miss Western shook hands all round,


Sons and Lovers
The third excerpt represents the future or something you must embrace, and is drawn from Tom Sawyer Abroad by Mark Twain:

stand still."

"Well," he says, "I'm lost in the sky with no company but a passel of low-down animals that don't know no more than the head boss of a university did three or four hundred years ago."

It warn't fair play, and I let him know it. I says:

"Throwin' mud ain't arguin', Tom Sawyer."

"Oh, my goodness, oh, my goodness gracious, dah's de lake agi'n!" yelled Jim, just then. "NOW, Mars Tom, what you gwine to say?"