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Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Elixir of Life by Honore de Balzac:

prove to honest folk that Belvidero did not die in a duel with stone, as some lithographers would have us believe.

When Don Juan Belvidero reached the age of sixty he settled in Spain, and there in his old age he married a young and charming Andalusian wife. But of set purpose he was neither a good husband nor a good father. He had observed that we are never so tenderly loved as by women to whom we scarcely give a thought. Dona Elvira had been devoutly brought up by an old aunt in a castle a few leagues from San-Lucar in a remote part of Andalusia. She was a model of devotion and grace. Don Juan foresaw that this would be a woman who would struggle long against a passion before

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ancient Regime by Charles Kingsley:

of spirits: and that the first apostle of the new golden Rosicrucian order, one Schropfer, getting into debt, and fearing exposure, finished his life in an altogether un-catholic manner at Leipsic in 1774, by shooting himself;--of Keller and his Urim and Thummim;--of Wollner (who caught the Crown Prince Frederick William) with his three names of Chrysophiron, Heliconus, and Ophiron, and his fourth name of Ormesus Magnus, under which all the brethren were to offer up for him solemn prayers and intercessions;--of Baron Heinrich von Ekker and Eckenhofen, gentleman of the bed-chamber and counsellor of the Duke of Coburg Saalfeld, and his Jewish colleague Hirschmann, with their Asiatic brethren and order named Ben Bicca,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides and Other Poems by Oscar Wilde:

Nay if thou will'st, back to the beating brine, Back to the boisterous billow let us go, And walk all day beneath the hyaline Huge vault of Neptune's watery portico, And watch the purple monsters of the deep Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here She will not ruth or gentle pity show, But lay her boar-spear down, and with austere Relentless fingers string the cornel bow, And draw the feathered notch against her breast,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voyage Out by Virginia Woolf:

Instead of saying, as he meant her to say, that she wished to see them, she said nothing for some time.

"You see, there they go, rolling off the edge of the hill," she said suddenly.

"Rolling, Rachel? What do you see rolling? There's nothing rolling."

"The old woman with the knife," she replied, not speaking to Terence in particular, and looking past him. As she appeared to be looking at a vase on the shelf opposite, he rose and took it down.

"Now they can't roll any more," he said cheerfully. Nevertheless she lay gazing at the same spot, and paid him no further attention although he spoke to her. He became so profoundly wretched that he