Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Sean Connery

The first excerpt represents the past or something you must release, and is drawn from A Legend of Montrose by Walter Scott:

miscellaneous articles, a huge barrel of two-penny ale, beside which were ranged two or three wooden queichs, or bickers, ready, it would appear, for the service of whoever thought proper to employ them. Lord Menteith applied himself to the spigot, drank without ceremony, and then handed the stoup to Anderson, who followed his master's example, but not until he had flung out the drop of ale which remained, and slightly rinsed the wooden cup.

"What the deil, man," said an old Highland servant belonging to the family, "can she no drink after her ain master without washing the cup and spilling the ale, and be tamned to her!"

"I was bred in France," answered Anderson, "where nobody drinks

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Seraphita by Honore de Balzac:

cuts its way through all things and shares the power of God. The quickness of the Spirit becomes yours; in an instant you may pass from region to region; like the Word itself, you are transported from the ends of the world to other worlds. Harmony exists, and you are part of it! Light is there and your eyes possess it! Melody is heard and you echo it! Under such conditions, you feel your perceptions developing, widening; the eyes of your mind reach to vast distances. There is, in truth, neither time nor place to the Spirit; space and duration are proportions created for Matter; spirit and matter have naught in common.

"Though these things take place in stillness, in silence, without

The third excerpt represents the future or something you must embrace, and is drawn from Alexander's Bridge by Willa Cather:

the slender, barefoot donkey-girl who slipped in and out of the play, singing, like some one winding through a hilly field. He leaned forward and beamed felicitations as warmly as Mainhall himself when, at the end of the play, she came again and again before the curtain, panting a little and flushed, her eyes dancing and her eager, nervous little mouth tremulous with excitement.

When Alexander returned to his hotel-- he shook Mainhall at the door of the theatre--

Alexander's Bridge