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Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Barnaby Rudge by Charles Dickens:

crowd, was jerked from head to head, and shoulder to shoulder, and went spinning and whirling on above them, until it was lost to view, without ever once falling in among them or coming near the ground.

Through this vast throng, sprinkled doubtless here and there with honest zealots, but composed for the most part of the very scum and refuse of London, whose growth was fostered by bad criminal laws, bad prison regulations, and the worst conceivable police, such of the members of both Houses of Parliament as had not taken the precaution to be already at their posts, were compelled to fight and force their way. Their carriages were stopped and broken; the

Barnaby Rudge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato:

opinion. They may be corrected and enlarged by experience, they may be reasoned about, they may be brought home to us by the circumstances of our lives, they may be intensified by imagination, by reflection, by a course of action likely to confirm them. Under the influence of religious feeling or by an effort of thought, any one beginning with the ordinary rules of morality may create out of them for himself ideals of holiness and virtue. They slumber in the minds of most men, yet in all of us there remains some tincture of affection, some desire of good, some sense of truth, some fear of the law. Of some such state or process each individual is conscious in himself, and if he compares his own experience with that of others he will find the witness of their consciences to coincide with that of his own.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

side, and sincere or coquettish refusals on the other.

Like all men younger than their actual age, d'Arthez was a prey to those agitating irresolutions which are caused by the force of desires and the terror of displeasing,--a situation which a young woman does not comprehend when she shares it, but which the princess had too often deliberately produced not to enjoy its pleasures. In fact, Diane enjoyed these delightful juvenilities all the more keenly because she knew that she could put an end to them at any moment. She was like a great artist delighting in the vague, undecided lines of his sketch, knowing well that in a moment of inspiration he can complete the masterpiece still waiting to come to birth. Many a time, seeing

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato:

felt. Neither in our own nor in any other age has the conscious effort of reflection in man contributed in an appreciable degree to the formation of language. 'Which of us by taking thought' can make new words or constructions? Reflection is the least of the causes by which language is affected, and is likely to have the least power, when the linguistic instinct is greatest, as in young children and in the infancy of nations.

A kindred error is the separation of the phonetic from the mental element of language; they are really inseparable--no definite line can be drawn between them, any more than in any other common act of mind and body. It is true that within certain limits we possess the power of varying sounds by opening and closing the mouth, by touching the palate or the teeth with