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Today's Stichomancy for Stephen Colbert

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gentle Grafter by O. Henry:

railing. Atterbury and his hat was gone. And Buck makes 'em a short speech.

"All you lambs get in line. You're going to get your wool back. Don't shove so. Get in a line--a /line/--not in a pile. Lady, will you please stop bleating? Your money's waiting for you. Here, sonny, don't climb over that railing; your dimes are safe. Don't cry, sis; you ain't out a cent. Get in /line/, I say. Here, Pick, come and straighten 'em out and let 'em through and out by the other door."

Buck takes off his coat, pushes his silk hat on the back of his head, and lights up a reina victoria. He sets at the table with the boodle before him, all done up in neat packages. I gets the stockholders

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexander's Bridge by Willa Cather:

and he had kept an apartment there for years, subletting it when he went abroad for any length of time. Besides his sleeping-room and bath, there was a large room, formerly a painter's studio, which he used as a study and office. It was furnished with the cast-off possessions of his bachelor days and with odd things which he sheltered for friends of his who followed itinerant and more or less artistic callings. Over the fireplace there was a large old-fashioned gilt mirror. Alexander's big work-table stood in front

Alexander's Bridge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Less boast and brag About the flag, More faith in what it means; More heads erect, More self-respect, Less talk of war machines.

The time to fight To keep it bright Is not along the way, Nor 'cross the foam, But here at home

A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

which I have tanned and sewn into a garment strong and warm. It is cold up here. I have a fire burning and I sit bent over it while I write; but I am safe here. No other living creature ventures to the chill summit of the barrier cliffs. I am safe, and I am alone with my sorrows and my remembered joys--but without hope. It is said that hope springs eternal in the human breast; but there is none in mine.

I am about done. Presently I shall fold these pages and push them into my thermos bottle. I shall cork it and screw the cap tight, and then I shall hurl it as far out into the sea as my strength will permit. The wind is off-shore; the tide is running

The Land that Time Forgot