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Today's Stichomancy for Uma Thurman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Idylls of the King by Alfred Tennyson:

Her seer, her bard, her silver star of eve, Her God, her Merlin, the one passionate love Of her whole life; and ever overhead Bellowed the tempest, and the rotten branch Snapt in the rushing of the river-rain Above them; and in change of glare and gloom Her eyes and neck glittering went and came; Till now the storm, its burst of passion spent, Moaning and calling out of other lands, Had left the ravaged woodland yet once more To peace; and what should not have been had been,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Oscar Wilde:

and bade you enter in?

Are there not others more accursed, whiter with leprosies than I? Are Abana and Pharphar dry that you come here to slake your thirst?

Get hence, you loathsome mystery! Hideous animal, get hence! You wake in me each bestial sense, you make me what I would not be.

You make my creed a barren sham, you wake foul dreams of sensual life,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

kitchen, where even the shadows cast by the candle upon the wall were enough to give one the horrors. So an hour passed away, during which the silence was only broken by the bubbling of the pot and the hissing of the flames.

Finally, Tip spoke again.

"Have I got to drink that stuff?" he asked, nodding toward the pot.

"Yes," said Mombi.

"What'll it do to me?" asked Tip.

"If it's properly made," replied Mombi, "it will change or transform you into a marble statue."

Tip groaned, and wiped the perspiration from his forehead with his sleeve.

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The Marvelous Land of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

straight down from the heavens, spreading wide their wings at the last moment to check their speed. This made the roaring sound that had awakened me.

A wide spot in the shimmer showed black and struggling against the ground. I arose and walked over, meeting halfway B. and the men carrying the meat. It took me probably about two minutes to reach the place where the zebra had been killed. Hundreds, perhaps thousands, of the great birds were standing idly about; a dozen or so were flapping and scrambling in the centre. I stepped into view. With a mighty commotion they all took wing clumsily, awkwardly, reluctantly. A trampled, bloody space and the larger