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Today's Stichomancy for Vin Diesel

The first excerpt represents the past or something you must release, and is drawn from Long Odds by H. Rider Haggard:

the lion sniffed and sniffed, beginning at my ankle and slowly nosing away up to my thigh. I thought that he was going to get hold then, but he did not. He only growled softly, and went back to the ox. Shifting my head a little I got a full view of him. He was about the biggest lion I ever saw, and I have seen a great many, and he had a most tremendous black mane. What his teeth were like you can see--look there, pretty big ones, ain't they? Altogether he was a magnificent animal, and as I lay sprawling on the fore-tongue of the waggon, it occurred to me that he would look uncommonly well in a cage. He stood there by the carcass of poor Kaptein, and deliberately disembowelled him as neatly as a butcher could have done. All this while I dared not


Long Odds
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mansion by Henry van Dyke:

But to human persons the sensation of being waited for is not always agreeable. Sometimes, especially with the young, it produces a vague restlessness, a dumb resentment, which is increased by the fact that one can hardly explain or justify it. Of this John Weightman was not conscious. It lay beyond his horizon. He did not take it into account in the plan of life which he made for himself and for his family as the sharers and inheritors of his success.

"Father plays us," said Harold, in a moment of irritation, to his

The third excerpt represents the future or something you must embrace, and is drawn from Rivers to the Sea by Sara Teasdale:

I SHALL NOT CARE

WHEN I am dead and over me bright April Shakes out her rain-drenched hair, Tho' you should lean above me broken-hearted, I shall not care.

I shall have peace, as leafy trees are peaceful When rain bends down the bough, And I shall be more silent and cold-hearted Than you are now.

DESERT POOLS

I LOVE too much; I am a river