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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

a lean-to that joined the hut at the eaves, and was made out of plank. It was as long as the hut, but narrow -- only about six foot wide. The door to it was at the south end, and was padlocked. Tom he went to the soap-kettle and searched around, and fetched back the iron thing they lift the lid with; so he took it and prized out one of the staples. The chain fell down, and we opened the door and went in, and shut it, and struck a match, and see the shed was only built against a cabin and hadn't no connection with it; and there warn't no floor to the shed, nor nothing in it but some


The Adventures of Huckleberry Finn
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

tudes all vanished. I was as happy a man as there was in the world. I was even impatient for to- morrow to come, I so wanted to gather in that great triumph and be the center of all the nation's wonder and reverence. Besides, in a business way it would be the making of me; I knew that.

Meantime there was one thing which had got pushed into the background of my mind. That was the half- conviction that when the nature of my proposed calamity should be reported to those superstitious people, it would have such an effect that they would


A Connecticut Yankee in King Arthur's Court
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

closetful of clothes you got already. I've expressed my idea about this before, and you know good and well you didn't pay the least bit of attention. I have to camp on your trail to get you to do anything--"

There was much more of it, and they all assisted, all but Babbitt. Everything about him was dim except his stomach, and that was a bright scarlet disturbance. "Had too much grub; oughtn't to eat this stuff," he groaned--while he went on eating, while he gulped down a chill and glutinous slice of the ice-cream brick, and cocoanut cake as oozy as shaving-cream. He felt as though he had been stuffed with clay; his body was bursting, his throat was bursting, his brain was hot mud; and only with agony did he continue to smile and shout as became a host on Floral Heights.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

oaken chair of vast dimensions covered with black leather; and without changing his melancholy attitude he cast on Porbus the distant glance of a man sunk in absolute dejection.

"Well, maitre," said Porbus, "was the distant ultra-marine, for which you journeyed to Brussels, worthless? Are you unable to grind a new white? Is the oil bad, or the brushes restive?"

"Alas!" cried the old man, "I thought for one moment that my work was accomplished; but I must have deceived myself in some of the details. I shall have no peace until I clear up my doubts. I am about to travel; I go to Turkey, Asia, Greece, in search of models. I must compare my picture with various types of Nature. It may be that I have