| The first excerpt represents the past or something you must release, and is drawn from Long Odds by H. Rider Haggard: the lion sniffed and sniffed, beginning at my ankle and slowly nosing
away up to my thigh. I thought that he was going to get hold then, but
he did not. He only growled softly, and went back to the ox. Shifting
my head a little I got a full view of him. He was about the biggest
lion I ever saw, and I have seen a great many, and he had a most
tremendous black mane. What his teeth were like you can see--look
there, pretty big ones, ain't they? Altogether he was a magnificent
animal, and as I lay sprawling on the fore-tongue of the waggon, it
occurred to me that he would look uncommonly well in a cage. He stood
there by the carcass of poor Kaptein, and deliberately disembowelled him
as neatly as a butcher could have done. All this while I dared not
Long Odds |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mansion by Henry van Dyke: But to human persons the sensation of being waited for is not
always agreeable. Sometimes, especially with the young, it
produces
a vague restlessness, a dumb resentment, which is increased by
the fact that one can hardly explain or justify it. Of this
John Weightman was not conscious. It lay beyond his horizon.
He did not take it into account in the plan of life which he made
for
himself and for his family as the sharers and inheritors of his
success.
"Father plays us," said Harold, in a moment of irritation, to his
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The third excerpt represents the future or something you must embrace, and is drawn from Rivers to the Sea by Sara Teasdale: I SHALL NOT CARE
WHEN I am dead and over me bright April
Shakes out her rain-drenched hair,
Tho' you should lean above me broken-hearted,
I shall not care.
I shall have peace, as leafy trees are peaceful
When rain bends down the bough,
And I shall be more silent and cold-hearted
Than you are now.
DESERT POOLS
I LOVE too much; I am a river
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