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Today's Stichomancy for Adolf Hitler

The first excerpt represents the past or something you must release, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

CO-BOOSE or cooking-place being upon deck, it would not have been possible to have cooked for so large a company in the event of bad weather.

The stock of water was now getting short, and some necessaries being also wanted for the floating light, the SMEATON was despatched for Arbroath; and the writer, with the artificers at the same time shifted their quarters from her to the floating light.

Although the rock barely made its appearance at this period of the tides till eight o'clock, yet, having now a full mile to row from the floating light to the rock, instead of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

to header material.

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Give Me Liberty Or Give Me Death

Patrick Henry, March 23, 1775.

No man thinks more highly than I do of the patriotism, as well as abilities, of the very worthy gentlemen who have just addressed the House. But different men often see the same subject in different lights; and, therefore, I hope it will not be thought disrespectful to those gentlemen if, entertaining as I do opinions of a character very opposite to theirs, I shall speak forth my sentiments freely and without reserve. This is no time for ceremony.

The third excerpt represents the future or something you must embrace, and is drawn from My Antonia by Willa Cather:

and take more courage than the noisy, excited passages in life. Antonia came in and stood before me; a stalwart, brown woman, flat-chested, her curly brown hair a little grizzled. It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were--simply Antonia's eyes. I had seen no others like them since I looked into them last, though I had looked at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigour


My Antonia