Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Akira Kurosawa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from I Have A Dream by Martin Luther King, Jr.:

devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.

I am not unmindful that some of you have come here out of great

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Old Indian Legends by Zitkala-Sa:

did not rise up out of the lake, for it came down from overhead. With his hands still on his knees, Iktomi turned his face upward into the great willow tree. Opening wide his mouth he begged, "My friend, my friend, give me a bone to gnaw!"

"Ha! ha!" laughed the muskrat, and leaning over the limb he sat upon, he let fall a small sharp bone which dropped right into Iktomi's throat. Iktomi almost choked to death before he could get it out. In the tree the muskrat sat laughing loud. "Next time, say to a visiting friend, 'Be seated beside me, my friend. Let me share with you my food.'"

IKTOMI AND THE COYOTE

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the Cage by Henry James:

particular kind of relation she always happened instantly to feel.

There were impulses of various kinds, alternately soft and severe, to which she was constitutionally accessible and which were determined by the smallest accidents. She was rigid in general on the article of making the public itself affix its stamps, and found a special enjoyment in dealing to that end with some of the ladies who were too grand to touch them. She had thus a play of refinement and subtlety greater, she flattered herself, than any of which she could be made the subject; and though most people were too stupid to be conscious of this it brought her endless small consolations and revenges. She recognised quite as much those of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis:

that had never glared with hunger, and a hand that neither poverty nor strychnine-whiskey had taught to shake. In this morbid, distorted heart of the Welsh puddler he had failed.

Eighteen centuries ago, the Master of this man tried reform in the streets of a city as crowded and vile as this, and did not fail. His disciple, showing Him to-night to cultured hearers, showing the clearness of the God-power acting through Him, shrank back from one coarse fact; that in birth and habit the man Christ was thrown up from the lowest of the people: his flesh, their flesh; their blood, his blood; tempted like them, to brutalize day by day; to lie, to steal: the actual slime and


Life in the Iron-Mills