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Today's Stichomancy for Akira Kurosawa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

station."

The words were like a cry for help, frozen on to the ugly paper. Amster shivered; he had a feeling that this was a matter of life and death.

The wagon tracks in the lonely street, the broken pieces of glass and the drops of blood, showing that some occupant of the vehicle had broken the window, in the hope of escape, perhaps, or to throw out the package which should bring assistance - all these facts grouped themselves together in the brain of the intelligent working-man to form some terrible tragedy where his assistance, if given at once, might be of great use. He had a warm heart besides,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

found an honest pretence for a visit to the astronomer, for she would solicit permission to continue under him the studies in which she had been initiated by the Arab, and the Princess might go with her, either as a fellow-student, or because a woman could not decently come alone. "I am afraid," said Imlac, "that he will soon be weary of your company. Men advanced far in knowledge do not love to repeat the elements of their art, and I am not certain that even of the elements, as he will deliver them, connected with inferences and mingled with reflections, you are a very capable auditress." "That," said Pekuah, "must be my care. I ask of you only to take me thither. My knowledge is perhaps more than you

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Critias by Plato:

ancient metropolis, making a road to and from the royal palace. And at the very beginning they built the palace in the habitation of the god and of their ancestors, which they continued to ornament in successive generations, every king surpassing the one who went before him to the utmost of his power, until they made the building a marvel to behold for size and for beauty. And beginning from the sea they bored a canal of three hundred feet in width and one hundred feet in depth and fifty stadia in length, which they carried through to the outermost zone, making a passage from the sea up to this, which became a harbour, and leaving an opening sufficient to enable the largest vessels to find ingress. Moreover, they divided at the bridges the zones of land which parted the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

though every seventeen days its power is halved, though constantly it diminishes towards the imperceptible, is never entirely exhausted, and to this day the battle-fields and bomb fields of that frantic time in human history are sprinkled with radiant matter, and so centres of inconvenient rays.

What happened when the celluloid stud was opened was that the inducive oxidised and became active. Then the surface of the Carolinum began to degenerate. This degeneration passed only slowly into the substance of the bomb. A moment or so after its explosion began it was still mainly an inert sphere exploding superficially, a big, inanimate nucleus wrapped in flame and


The Last War: A World Set Free