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Today's Stichomancy for Al Pacino

The first excerpt represents the past or something you must release, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

recognised that they belonged to the lost Florentine Tragedy. I assumed that the opening scene, though once extant, had disappeared. One day, however, Mr. Willard wrote that he possessed a typewritten fragment of a play which Wilde had submitted to him, and this he kindly forwarded for my inspection. It agreed in nearly every particular with what I had taken so much trouble to put together. This suggests that the opening scene had never been written, as Mr. Willard's version began where mine did. It was characteristic of the author to finish what he never began.

When the Literary Theatre Society produced Salome in 1906 they asked me for some other short drama by Wilde to present at the same time,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

for the EMIGRANT; I cannot hope to have them both done much before the end of November.

O, and look here, why did you not send me the SPECTATOR which slanged me? Rogues and rascals, is that all you are worth?

Yesterday I set fire to the forest, for which, had I been caught, I should have been hung out of hand to the nearest tree, Judge Lynch being an active person hereaway. You should have seen my retreat (which was entirely for strategical purposes). I ran like hell. It was a fine sight. At night I went out again to see it; it was a good fire, though I say it that should not. I had a near escape for my life with a revolver: I fired six charges, and the six

The third excerpt represents the future or something you must embrace, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

Meriem struggled to escape. She struck at the hairy breast and bearded cheek. She fastened her strong, white teeth in one shaggy forearm. The ape cuffed her viciously across the face, then he had to turn his attention to his fellow who quite evidently desired the prize for his own.

The captor could not fight to advantage upon the swaying bough, burdened as he was by a squirming, struggling captive, so he dropped quickly to the ground beneath. The other followed him, and here they fought, occasionally abandoning their duel to pursue and recapture the girl who took every advantage of her captors' preoccupation in battle to break away in attempted


The Son of Tarzan