| The first excerpt represents the past or something you must release, and is drawn from Chronicles of the Canongate by Walter Scott: conferred on him. He intimated his approbation of the
institution, and his readiness to promote its success by every
means in his power. He concluded with giving "The Health of the
Company of Edinburgh."
Mr. JONES, on rising to return thanks, being received with
considerable applause, said he was truly grateful for the kind
encouragement he had experienced, but the novelty of the
situation in which he now was renewed all the feelings he
experienced when he first saw himself announced in the bills as a
young gentleman, being his first appearance on any stage.
(Laughter and applause.) Although in the presence of those whose
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twilight Land by Howard Pyle: gallows, and gave it a sharp rap with his staff. Then, lo and
behold! The gallows was gone, and in its place stood a fine inn,
with lights in the windows, and a landlord bowing and smiling in
the doorway, and a fire roaring in the kitchen, and the smell of
good things cooking filling the air all around, so that only to
sniff did one's heart good.
Poor Babo let fall the stone he had carried all day. A stone it
was, and a stone he let fall.
" Born a fool, live a fool, die a fool,'" said Agricola. "But
come in, Babo, come in; here is room enough for two." So that
night Babo had a good supper and a sound sleep, and that is a
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The third excerpt represents the future or something you must embrace, and is drawn from The Odyssey by Homer: still hanging?
{184} Ulysses bedroom in the mind of the writer is here too
apparently down stairs.
{185} Penelope having been now sufficiently whitewashed,
disappears from the poem.
{186} So practised a washerwoman as our authoress doubtless knew
that by this time the web must have become such a wreck that it
would have gone to pieces in the wash.
A lady points out to me, just as these sheets are leaving my
hands, that no really good needlewoman--no one, indeed, whose
work or character was worth consideration--could have endured,
The Odyssey |
