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Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

down the pier in a perfect frenzy. The thin pale lips of Madame Alvarez moved in a silent prayer; La Juanita stood coldly silent.

And now you could see that the advance guard of the southeast force had struck the little fleet. They dipped and scurried and rocked, and you could see the sails being reefed hurriedly, and almost hear the rigging creak and moan under the strain. Then the wind came up the lake, and struck the town with a tumultuous force. The waters rose and heaved in the long, sullen ground-swell, which betokened serious trouble. There was a rush of lake-craft to shelter. Heavy gray waves boomed against the breakwaters and piers, dashing their brackish spray upon the


The Goodness of St. Rocque and Other Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

in the shadow of our noble ash-trees by the water-side, with their branches gently swaying in the light summer breeze that murmurs through their feathery foliage - my ears full of that low music mingled with the dreamy hum of insects, my eyes abstractedly gazing on the glassy surface of the little lake before me, with the trees that crowd about its bank, some gracefully bending to kiss its waters, some rearing their stately heads high above, but stretching their wide arms over its margin, all faithfully mirrored far, far down in its glassy depth - though sometimes the images are partially broken by the sport of aquatic insects, and sometimes, for a moment, the whole is shivered into trembling fragments by a


The Tenant of Wildfell Hall
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of Unrest by Joseph Conrad:

completely changed voice said, "For I did love and trust you"--and again was silent for a moment. She put her handkerchief to her eyes.

"You'll give me credit for--for--my motives. It's mainly loyalty to--to the larger conditions of our life--where you--you! of all women--failed. One doesn't usually talk like this--of course--but in this case you'll admit . . . And consider--the innocent suffer with the guilty. The world is pitiless in its judgments. Unfortunately there are always those in it who are only too eager to misunderstand. Before you and before my conscience I am guiltless, but any--any disclosure would impair my usefulness in the sphere--in the larger sphere in which I hope soon to . . . I believe you fully shared my


Tales of Unrest
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville:

meridians. We cannibals must help these Christians."

CHAPTER 14

Nantucket.

Nothing more happened on the passage worthy the mentioning; so, after a fine run, we safely arrived in Nantucket.

Nantucket! Take out your map and look at it. See what a real corner of the world it occupies; how it stands there, away off shore, more lonely than the Eddystone lighthouse. Look at it--a mere hillock, and elbow of sand; all beach, without a background. There is more sand there than you would use in twenty years as a substitute for blotting paper. Some gamesome wights will tell you that they have to


Moby Dick