Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Journey to the Center of the Earth by Jules Verne:

resembled the human, some ape or baboon of the early geological ages, some protopitheca, or some mesopitheca, some early or middle ape like that discovered by Mr. Lartet in the bone cave of Sansau. But this creature surpassed in stature all the measurements known in modern palæontology. But that a man, a living man, and therefore whole generations doubtless besides, should be buried there in the bowels of the earth, is impossible.

However, we had left behind us the luminous forest, dumb with astonishment, overwhelmed and struck down with a terror which amounted to stupefaction. We kept running on for fear the horrible monster might be on our track. It was a flight, a fall, like that

Journey to the Center of the Earth

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Intentions by Oscar Wilde:

obvious or commonplace in art, and while he was charmed to entertain Wilkie at dinner, he cared as little for Sir David's pictures as he did for Mr. Crabbe's poems. With the imitative and realistic tendencies of his day he had no sympathy and he tells us frankly that his great admiration for Fuseli was largely due to the fact that the little Swiss did not consider it necessary that an artist should paint only what he sees. The qualities that he sought for in a picture were composition, beauty and dignity of line, richness of colour, and imaginative power. Upon the other hand, he was not a doctrinaire. 'I hold that no work of art can be tried otherwise than by laws deduced from itself: whether or not

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The American by Henry James:

She will have the honor of saying a few words to you on the subject, herself. Meanwhile, by us, the heads of the family, you are accepted."

Newman got up and came nearer to the marquis. "You will do nothing to hinder me, and all you can to help me, eh?"

"I will recommend my sister to accept you."

Newman passed his hand over his face, and pressed it for a moment upon his eyes. This promise had a great sound, and yet the pleasure he took in it was embittered by his having to stand there so and receive his passport from M. de Bellegarde. The idea of having this gentleman mixed up with his wooing

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

do who maintain that not only good works, but also the punishment which evildoers suffer for their wicked deeds, deserve everlasting life. When a criminal is brought to the place of execution, the monks try to comfort him in this manner: "You want to die willingly and patiently, and then you will merit remission of your sins and eternal life." What cruelty is this, that a wretched thief, murderer, robber should be so miserably misguided in his extreme distress, that at the very point of death he should be denied the sweet promises of Christ, and directed to hope for pardon of his sins in the willingness and patience with which he is about to suffer death for his crimes? The monks are showing him the paved way to hell.