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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Some Reminiscences by Joseph Conrad:

conqueror's ambition. An extreme distaste for that objectionable episode has tinged the views I hold as to the character and achievements of Napoleon the Great. I need not say that these are unfavourable. It was morally reprehensible for that great captain to induce a simple-minded Polish gentleman to eat dog by raising in his breast a false hope of national independence. It has been the fate of that credulous nation to starve for upwards of a hundred years on a diet of false hopes and--well--dog. It is, when one thinks of it, a singularly poisonous regimen. Some pride in the national constitution which has survived a long course of such dishes is really excusable. But enough of


Some Reminiscences
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone:

formerly alight@mercury.interpath.net). To assure a high quality text, the original was typed in (manually) twice and electronically compared. [Note on text: Italicized words or phrases are CAPITALIZED. Some obvious errors have been corrected.]

Missionary Travels and Researches in South Africa. Also called, Travels and Researches in South Africa; or, Journeys and Researches in South Africa. By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]

David Livingstone was born in Scotland, received his medical degree from the University of Glasgow, and was sent to South Africa by the London Missionary Society. Circumstances led him to try to meet

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Sentimental Journey by Laurence Sterne:

recollecting I was in his books, I took up Hamlet, and turning immediately to the grave-diggers' scene in the fifth act, I laid my finger upon Yorick, and advancing the book to the Count, with my finger all the way over the name, - ME VOICI! said I.

Now, whether the idea of poor Yorick's skull was put out of the Count's mind by the reality of my own, or by what magic he could drop a period of seven or eight hundred years, makes nothing in this account; - 'tis certain the French conceive better than they combine; - I wonder at nothing in this world, and the less at this; inasmuch as one of the first of our own Church, for whose candour and paternal sentiments I have the highest veneration, fell into

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

silence, of movement that was not action, of repose that was quick with existence without being violent with struggle and travail. The spirit of the place was the spirit of the peace of the living, somnolent with the easement and content of prosperity, and undisturbed by rumors of far wars.

The red-coated, many-antlered buck acknowledged the lordship of the spirit of the place and dozed knee-deep in the cool, shaded pool. There seemed no flies to vex him and he was languid with rest. Sometimes his ears moved when the stream awoke and whispered; but they moved lazily, with, foreknowledge that it was merely the stream grown garrulous at discovery that it had slept.

But there came a time when the buck's ears lifted and tensed with swift eagerness for sound. His head was turned down the canyon. His sensitive,