| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moral Emblems by Robert Louis Stevenson: He watched that every brick was right:
The decent men their utmost did;
And the house rose - a pyramid!
These were the days, our provost knows,
When forty streets and crescents rose,
The fruits of my creative noddle,
All more or less upon a model,
Neat and commodious, cheap and dry,
A perfect pleasure to the eye!
I found this quite a country quarter;
I leave it solid lath and mortar.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Red Badge of Courage by Stephen Crane: fully staring down the road. From some cause
his expression was at that moment very meek.
The youth, regarding him with sidelong glances,
felt impelled to change his purpose. "Oh, noth-
ing," he said.
His friend turned his head in some surprise,
"Why, what was yeh goin' t' say?"
"Oh, nothing," repeated the youth.
He resolved not to deal the little blow. It
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was sufficient that the fact made him glad. It
 The Red Badge of Courage |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart: ridiculous, monstrous. She shuddered. She almost wept.
It was bad preparation for a visit to the Siebensternstrasse.
Mrs. Boyer, finding her vanity gone, convinced that she was an
absurdity physically, fell back for comfort on her soul. She had
been a good wife and mother; she was chaste, righteous. God had
been cruel to her in the flesh, but He had given her the spirit.
"Madame wishes not the gown? It is beautiful--see the embroidery!
And the neck may be filled with chiffon."
"Young woman," she said grimly, "I see the embroidery; and the
neck may be filled with chiffon, but not for me! And when you
have had five children, you will not buy clothes like that
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Z. Marcas by Honore de Balzac: him from gaining ground, in despair at the influence exerted by money
over mind, and given over to dire poverty, buried himself in a garret,
to make thirty sous a day, the sum strictly answering to his needs.
Meditation had leveled a desert all round him. He read the papers to
be informed of what was going on. Pozzo di Borgo had once lived like
this for some time.
Marcas, no doubt, was planning a serious attack, accustoming himself
to dissimulation, and punishing himself for his blunders by
Pythagorean muteness. But he did not tell us the reasons for his
conduct.
It is impossible to give you an idea of the scenes of the highest
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