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Today's Stichomancy for Aleister Crowley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Men of Iron by Howard Pyle:

wrath. "Nay," said he, stoutly, "I be no Lord and I be no Prince, but I be as good as thou. For am I not the son of thy onetime very true comrade and thy kinsman--to wit, the Lord Falworth, whom, as thou knowest, is poor and broken, and blind, and helpless, and outlawed, and banned? Yet," cried he, grinding his teeth, as the thought of it all rushed in upon him, "I would rather be in his place than in yours; for though he be ruined, you--"

He had just sense enough to stop there.

The Earl, gripping his staff behind his back, and with his head a little bent, was looking keenly at the lad from under his shaggy


Men of Iron
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Innocence and Experience by William Blake:

In the age of gold, Free from winter's cold, Youth and maiden bright, To the holy light, Naked in the sunny beams delight.

Once a youthful pair, Filled with softest care, Met in garden bright Where the holy light Had just removed the curtains of the night.

There, in rising day,


Songs of Innocence and Experience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

THE WARLORD OF MARS ON THE RIVER ISS In the shadows of the forest that flanks the crimson plain by the side of the Lost Sea of Korus in the Valley Dor, beneath the hurtling moons of Mars, speeding their meteoric way close above the bosom of the dying planet, I crept stealthily along the trail of a


The Warlord of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Far From the Madding Crowd by Thomas Hardy:

presence, that the farmer was quite struck with the resemblance, felt it lowering, and would not look at the dog. However, he continued to watch through the hedge for her regular coming, and thus his sentiments towards her were deepened without any corresponding effect being produced upon herself. Oak had nothing finished and ready to say as yet, and not being able to frame love phrases which end where they begin; passionate tales -- -- Full of sound and fury -- signifying nothing --


Far From the Madding Crowd