Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Damien by Robert Louis Stevenson:

interest in Damien, which has caused him to be so much talked about and made him at last the subject of your pen and mine, was that, in him, his bigotry, his intense and narrow faith, wrought potently for good, and strengthened him to be one of the world's heroes and exemplars.

Damien WAS NOT SENT TO MOLOKAI, BUT WENT THERE WITHOUT ORDERS.

Is this a misreading? or do you really mean the words for blame? I have heard Christ, in the pulpits of our Church, held up for imitation on the ground that His sacrifice was voluntary. Does Dr. Hyde think otherwise?

Damien DID NOT STAY AT THE SETTLEMENT, ETC.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twenty Years After by Alexandre Dumas:

friendship; perhaps there may be the bond of crime; for we four, we once did condemn, judge and slay a human being whom we had not any right to cut off from this world, although apparently fitter for hell than for this life. D'Artagnan, I have always loved you as my son; Porthos, we slept six years side by side; Aramis is your brother as well as mine, and Aramis has once loved you, as I love you now and as I have ever loved you. What can Cardinal Mazarin be to us, to four men who compelled such a man as Richelieu to act as we pleased? What is such or such a prince to us, who fixed the diadem upon a great queen's head? D'Artagnan, I ask your

Twenty Years After

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fisherman's Luck by Henry van Dyke:

How close to the mark the old essayist sends his arrow! He is right about the essential qualities of good talk. They are not merely intellectual. They are moral. Goodness of heart, freedom of spirit, gayety of temper, and friendliness of disposition,--these are four fine things, and doubtless as acceptable to God as they are agreeable to men. The talkability which springs out of these qualities has its roots in a good soil. On such a plant one need not look for the poison berries of malign discourse, nor for the Dead Sea apples of frivolous mockery. But fair fruit will be there, pleasant to the sight and good for food, brought forth abundantly according to the season.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

likelihood of a Wagner Festival failing. Suppose, for instance, a Wagner theatre were built at Hampton Court or on Richmond Hill, not to say Margate pier, so that we could have a delightful summer evening holiday, Bayreuth fashion, passing the hours between the acts in the park or ontheriver before sunset, is it seriously contended that there would be any lack of visitors? If a little of the money that is wasted on grand stands, Eiffel towers, and dismal Halls by the Sea, all as much tied to brief annual seasons as Bayreuth, were applied in this way, the profit would be far more certain and the social utility prodigiously greater. Any English enthusiasm for Bayreuth that does not take