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Today's Stichomancy for Alyssa Milano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moon-Face and Other Stories by Jack London:

he smoked a pipe by the smouldering coals, listening to the night noises and watching the moonlight stream through the canyon. After that he unrolled his bed, took off his heavy shoes, and pulled the blankets up to his chin. His face showed white in the moonlight, like the face of a corpse. But it was a corpse that knew its resurrection, for the man rose suddenly on one elbow and gazed across at his hillside.

"Good night, Mr. Pocket," he called sleepily. "Good night."

He slept through the early gray of morning until the direct rays of the sun smote his closed eyelids, when he awoke with a start and looked about him until he had established the continuity of his existence and identified his present self with the days previously lived.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gettysburg Address by Abraham Lincoln:

dedicated to the proposition that all men are created equal.

Now we are engaged in a great civil war. . .testing whether that nation, or any nation so conceived and so dedicated. . . can long endure. We are met on a great battlefield of that war.

We have come to dedicate a portion of that field as a final resting place for those who here gave their lives that this nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we cannot dedicate. . .we cannot consecrate. . . we cannot hallow this ground. The brave men, living and dead, who struggled here have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

of the animals is our own. We must admit that the Divine Being, although perfect himself, has placed us in a state of life in which we may work together with him for good, but we are very far from having attained to it.

6. Again, ideas must be given through something; and we are always prone to argue about the soul from analogies of outward things which may serve to embody our thoughts, but are also partly delusive. For we cannot reason from the natural to the spiritual, or from the outward to the inward. The progress of physiological science, without bringing us nearer to the great secret, has tended to remove some erroneous notions respecting the relations of body and mind, and in this we have the advantage of the ancients. But no one imagines that any seed of immortality is to be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

world without, and, apostrophizing it with Walt Whitman--

Crowds of men and women attired in the usual costumes, How curious you are to me!--

resolve upon a plan for plunging into that world anew. But behold, the absorbing scene had been imported hither. What had been the engrossing world had dissolved into an uninteresting outer dumb-show; while here, in this apparently dim and unimpassioned place, novelty had volcanically started up, as it had never, for him, started up elsewhere.


Tess of the d'Urbervilles, A Pure Woman