| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wizard of Oz by L. Frank Baum: gave Dorothy a friendly little nod, whirled around on her left heel
three times, and straightway disappeared, much to the surprise of
little Toto, who barked after her loudly enough when she had gone,
because he had been afraid even to growl while she stood by.
But Dorothy, knowing her to be a witch, had expected her to
disappear in just that way, and was not surprised in the least.
3. How Dorothy Saved the Scarecrow
When Dorothy was left alone she began to feel hungry. So she
went to the cupboard and cut herself some bread, which she spread
with butter. She gave some to Toto, and taking a pail from the
shelf she carried it down to the little brook and filled it with
 The Wizard of Oz |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Inaugural Address by John F. Kennedy: To those old allies whose cultural and spiritual origins we share:
we pledge the loyalty of faithful friends. United. . .there is
little we cannot do in a host of co-operative ventures.
Divided. . .there is little we can do. . .for we dare not meet
a powerful challenge, at odds, and split asunder.
To those new states whom we welcome to the ranks of the free:
we pledge our word that one form of colonial control shall not
have passed away merely to be replaced by a far more iron tyranny.
We shall not always expect to find them supporting our view.
But we shall always hope to find them strongly supporting their
own freedom. . .and to remember that. . .in the past. . .those who
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson: sounding as we went; and having taken stock of all possible
accommodation, pitched on the northern inlet as the scene of
operations. For it was no accident that had brought the lighthouse
steamer to anchor in the Bay of Earraid. Fifteen miles away to
seaward, a certain black rock stood environed by the Atlantic
rollers, the outpost of the Torran reefs. Here was a tower to be
built, and a star lighted, for the conduct of seamen. But as the
rock was small, and hard of access, and far from land, the work
would be one of years; and my father was now looking for a shore
station, where the stones might be quarried and dressed, the men
live, and the tender, with some degree of safety, lie at anchor.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: she had her hair done up and stuck white roses in her chignon and at
her bosom. The little room was littered with the drawing-room
furniture, which the workmen had been compelled to roll in there,
and it was full of a motley assemblage of round tables, sofas and
armchairs, with their legs in air for the most part. Nana was quite
ready when her dress caught on a castor and tore upward. At this
she swore furiously; such things only happened to her! Ragingly she
took off her dress, a very simple affair of white foulard, of so
thin and supple a texture that it clung about her like a long shift.
But she put it on again directly, for she could not find another to
her taste, and with tears in her eyes declared that she was dressed
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