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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wizard of Oz by L. Frank Baum:

gave Dorothy a friendly little nod, whirled around on her left heel three times, and straightway disappeared, much to the surprise of little Toto, who barked after her loudly enough when she had gone, because he had been afraid even to growl while she stood by.

But Dorothy, knowing her to be a witch, had expected her to disappear in just that way, and was not surprised in the least.

3. How Dorothy Saved the Scarecrow

When Dorothy was left alone she began to feel hungry. So she went to the cupboard and cut herself some bread, which she spread with butter. She gave some to Toto, and taking a pail from the shelf she carried it down to the little brook and filled it with


The Wizard of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Inaugural Address by John F. Kennedy:

To those old allies whose cultural and spiritual origins we share: we pledge the loyalty of faithful friends. United. . .there is little we cannot do in a host of co-operative ventures. Divided. . .there is little we can do. . .for we dare not meet a powerful challenge, at odds, and split asunder. To those new states whom we welcome to the ranks of the free: we pledge our word that one form of colonial control shall not have passed away merely to be replaced by a far more iron tyranny. We shall not always expect to find them supporting our view. But we shall always hope to find them strongly supporting their own freedom. . .and to remember that. . .in the past. . .those who

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson:

sounding as we went; and having taken stock of all possible accommodation, pitched on the northern inlet as the scene of operations. For it was no accident that had brought the lighthouse steamer to anchor in the Bay of Earraid. Fifteen miles away to seaward, a certain black rock stood environed by the Atlantic rollers, the outpost of the Torran reefs. Here was a tower to be built, and a star lighted, for the conduct of seamen. But as the rock was small, and hard of access, and far from land, the work would be one of years; and my father was now looking for a shore station, where the stones might be quarried and dressed, the men live, and the tender, with some degree of safety, lie at anchor.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

she had her hair done up and stuck white roses in her chignon and at her bosom. The little room was littered with the drawing-room furniture, which the workmen had been compelled to roll in there, and it was full of a motley assemblage of round tables, sofas and armchairs, with their legs in air for the most part. Nana was quite ready when her dress caught on a castor and tore upward. At this she swore furiously; such things only happened to her! Ragingly she took off her dress, a very simple affair of white foulard, of so thin and supple a texture that it clung about her like a long shift. But she put it on again directly, for she could not find another to her taste, and with tears in her eyes declared that she was dressed