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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

ago. It fills me with hot remorse to recall it. I was with Gurker and Ralphs--it's no secret now you know that I've had my talk with Gurker. We had been dining at Frobisher's, and the talk had become intimate between us. The question of my place in the reconstructed ministry lay always just over the boundary of the discussion. Yes --yes. That's all settled. It needn't be talked about yet, but there's no reason to keep a secret from you . . . . . Yes--thanks! thanks! But let me tell you my story.

"Then, on that night things were very much in the air. My position was a very delicate one. I was keenly anxious to get some definite word from Gurker, but was hampered by Ralphs' presence.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

couldn't extricate herself all in five minutes. She didn't even want to.

Hilda arrived in good time on Thursday morning, in a nimble two-seater car, with her suit-case strapped firmly behind. She looked as demure and maidenly as ever, but she had the same will of her own. She had the very hell of a will of her own, as her husband had found out. But the husband was now divorcing her.

Yes, she even made it easy for him to do that, though she had no lover. For the time being, she was 'off' men. She was very well content to be quite her own mistress: and mistress of her two children, whom she was going to bring up 'properly', whatever that may mean.


Lady Chatterley's Lover
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

work, the most strenuous of all toil, and he was penniless. As for Daniel d'Arthez, burning blocks of spent tan, and facing poverty like a hero, not a word of complaint came from him; he was as sober as any elderly spinster, and methodical as a miser. This courage called out Lucien's courage; he had only newly come into the circle, and shrank with invincible repugnance from speaking of his straits. One morning he went out, manuscript in hand, and reached the Rue du Coq; he would sell The Archer of Charles IX. to Doguereau; but Doguereau was out. Lucien little knew how indulgent great natures can be to the weaknesses of others. Every one of the friends had thought of the peculiar troubles besetting the poetic temperament, of the prostration

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Through the Looking-Glass by Lewis Carroll:

new invention of hers for getting down stairs quickly and easily, as Alice said to herself. She just kept the tips of her fingers on the hand-rail, and floated gently down without even touching the stairs with her feet; then she floated on through the hall, and would have gone straight out at the door in the same way, if she hadn't caught hold of the door-post. She was getting a little giddy with so much floating in the air, and was rather glad to find herself walking again in the natural way.

CHAPTER II

The Garden of Live Flowers

`I should see the garden far better,' said Alice to herself,


Through the Looking-Glass