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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Resurrection by Leo Tolstoy:

hospital. Nekhludoff followed them as if he were hypnotised.

"What do you want?" asked one of the policemen. But Nekhludoff did not answer, and followed where the body was being carried. The madman, sitting on a bed, was smoking greedily the cigarette Nekhludoff had given him.

"Ah, you've come back," he said, and laughed. When he saw the body he made a face, and said, "Again! I am sick of it. I am not a boy, am I, eh?" and he turned to Nekhludoff with a questioning smile.

Nekhludoff was looking at the dead man, whose face, which had been hidden by his cap, was now visible. This convict was as


Resurrection
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ursula by Honore de Balzac:

The Imaginary Mistress A Prince of Bohemia A Daughter of Eve The Unconscious Humorists

Portenduere, Vicomte Savinien de The Ball at Sceaux Scenes from a Courtesan's Life Beatrix

Portenduere, Vicomtesse Savinien de Another Study of Woman Beatrix

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Passionate Pilgrim by William Shakespeare:

XIV. Good night, good rest. Ah, neither be my share: She bade good night that kept my rest away; And daff'd me to a cabin hang'd with care, To descant on the doubts of my decay. 'Farewell,' quoth she, 'and come again tomorrow: Fare well I could not, for I supp'd with sorrow.

Yet at my parting sweetly did she smile, In scorn or friendship, nill I construe whether: 'T may be, she joy'd to jest at my exile, 'T may be, again to make me wander thither:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 1492 by Mary Johntson:

I said, ``I am looking now at a romantical daredevil whom I have seen before, though I am sure that he never noticed me.''

``Don Alonso de Ojeda? He is feather in cap, and sometimes cap, and even at stress head within the cap! Without moving you've beckoned him.''

There approached a young man of whom I knew something, having had him pointed out by Enrique de Cerda in Santa Fe. I had before that heard his name and somewhat of his exploits. In our day, over all Spain, one might find or hear of cavaliers of this brand. War with the Moor had