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Today's Stichomancy for Andy Warhol

The first excerpt represents the past or something you must release, and is drawn from When a Man Marries by Mary Roberts Rinehart:

"Who's there?" he demanded. Against the light I could see him reaching for his hip pocket, and the rest crowding up around him.

"It's only me," I quavered, "that is, I. The--the dish pan upset."

"Dish pan!" Bella said from back in the crowd. "Kit, of course!"

Jim forced his way through then and turned on the lights. I have no doubt I looked very strange, kneeling there on the bare floor, with a row of pans mounted on bricks behind me, and the furniture all piled on itself in a back corner.

"Kit! What in the world--!" Jim began, and stopped. He stared from me to the pans, to the windows, to the bric-a-brac on the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Old Indian Legends by Zitkala-Sa:

birdie--"Koda Ni Dakota!" He insisted upon it. "Koda Ni Dakota!" which was "Friend, you're a Dakota! Friend, you're a Dakota!" Perchance the birdie meant the avenger with the magic arrow, for there across the plain he strode. He was handsome in his paint and feathers, proud with his great buckskin quiver on his back and a long bow in his hand. Afar to an eastern camp of cone-shaped teepees he was going. There over the Indian village hovered a large red eagle threatening the safety of the people. Every morning rose this terrible red bird out of a high chalk bluff and spreading out his gigantic wings soared slowly over the round camp ground. Then it was that the people, terror-stricken, ran

The third excerpt represents the future or something you must embrace, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

"'I couldn't take it if it was for a million,' said the man inside the room. 'I'd do it, I expect, if I could. The best of us have our price.'

"Bronson slammed the door then, and flung past me down the hall.

"After a couple of minutes I knocked at the door, and a tall man about your size, Mr. Blakeley, opened it. He was very blond, with a smooth face and blue eyes - what I think you would call a handsome man.

"'I beg your pardon for disturbing you,' I said. 'Can you tell me which is Mr. Johnson's room? Mr. Francis Johnson?'

"'I can not say,' he replied civilly. 'I've only been here a few


The Man in Lower Ten