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Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eve and David by Honore de Balzac:

"resolves itself into this: 'Do you care to risk twenty thousand francs to buy a secret that may make rich men of you?' Why, the risk usually is in proportion to the profit, gentlemen. You stake twenty thousand francs on your luck. A gambler puts down a louis at roulette for a chance of winning thirty-six, but he knows that the louis is lost. Do the same."

"I must have time to think it over," said the stout Cointet; "I am not so clever as my brother. I am a plain, straight-forward sort of chap, that only knows one thing--how to print prayer-books at twenty sous and sell them for two francs. Where I see an invention that has only been tried once, I see ruin. You succeed with the first batch, you

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kidnapped by Robert Louis Stevenson:

At last, about two, it was beyond men's bearing, and there was now temptation to resist, as well as pain to thole. For the sun being now got a little into the west, there came a patch of shade on the east side of our rock, which was the side sheltered from the soldiers.

"As well one death as another," said Alan, and slipped over the edge and dropped on the ground on the shadowy side.

I followed him at once, and instantly fell all my length, so weak was I and so giddy with that long exposure. Here, then, we lay for an hour or two, aching from head to foot, as weak as water, and lying quite naked to the eye of any soldier who should have


Kidnapped
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wyoming by William MacLeod Raine:

blood. No man had ever looked at her like that before.

"Take awful good care of him," he sneered, with so plain an implication of evil that her clean blood boiled. "But I know y'u will, and don't let him go before he's real strong."

"No," she murmured, hating herself for the flush that bathed her.

He bowed like a Chesterfield, and went out with elastic heels, spurs clicking.

Helen turned fiercely on her guest. "Why did you make me insist on your staying? As if I want you here, as if--" She stopped, choking with anger; presently flamed out, "I hate you," and ran from the room to hide herself alone with her tears and her shame.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu:

O soft! the lotus-buds upon the stream Are stirring like sweet maidens when they dream.

A caste-mark on the azure brows of Heaven, The golden moon burns sacred, solemn, bright The winds are dancing in the forest-temple, And swooning at the holy feet of Night. Hush! in the silence mystic voices sing And make the gods their incense-offering.

IN THE FOREST

Here, O my heart, let us burn the dear dreams that are dead, Here in this wood let us fashion a funeral pyre