| The first excerpt represents the past or something you must release, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther: their little one, but the weeping child itself they soothe.
The right spirit in Paul supplies him with an extraordinary facility in
handling the afflicted consciences of the fallen. The Pope and his bishops,
inspired by the desire to lord it over men's souls, crack out thunders and
curses upon miserable consciences. They have no care for the saving of men's
souls. They are interested only in maintaining their position.
VERSE 6. That ye are so soon.
Paul deplores the fact that it is difficult for the mind to retain a sound and
steadfast faith. A man labors for a decade before he succeeds in training his
little church into orderly religion, and then some ignorant and vicious
poltroon comes along to overthrow in a minute the patient labor of years. By
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Howard Pyle's Book of Pirates by Howard Pyle: The whole thing had happened so instantaneously and unexpectedly
that for the moment Mainwaring sat like one petrified. Had a
thunderbolt fallen from the silent sky and burst at his feet he
could not have been more stunned. He was like one held in the
meshes of a horrid nightmare, and he gazed as through a mist of
impossibility into the lineaments of the well-known, sober face
now transformed as from within into the aspect of a devil. That
face, now ashy white, was distorted into a diabolical grin. The
teeth glistened in the lamplight. The brows, twisted into a
tense and convulsed frown, were drawn down into black shadows,
through which the eyes burned a baleful green like the eyes of a
 Howard Pyle's Book of Pirates |
The third excerpt represents the future or something you must embrace, and is drawn from Love and Friendship by Jane Austen: general be said to have a finer face than her Ladyship, and yet
what with the charms of a Blooming complexion, a little
Affectation and a great deal of small-talk, (in each of which she
is superior to the young Ladies) she will I dare say gain herself
as many admirers as the more regular features of Matilda, and
Margaret. I am sure you will agree with me in saying that they
can none of them be of a proper size for real Beauty, when you
know that two of them are taller and the other shorter than
ourselves. In spite of this Defect (or rather by reason of it)
there is something very noble and majestic in the figures of the
Miss Lesleys, and something agreably lively in the appearance of
 Love and Friendship |