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Today's Stichomancy for Arnold Schwarzenegger

The first excerpt represents the past or something you must release, and is drawn from Flower Fables by Louisa May Alcott:

to keep you, it were wrong to bring such sorrow to your loving earthly friends; therefore we will guide you to the brook-side, and there say farewell till you come again to visit us. Nay, do not weep, dear Rose-Leaf; you shall watch over little Eva's flowers, and when she looks at them she will think of you. Come now and lead her to the Fairy garden, and show her what we think our fairest sight. Weep no more, but strive to make her last hours with us happy as you can."

With gentle caresses and most tender words the loving Elves gathered about the child, and, with Rose-Leaf by her side, they led her through the palace, and along green, winding paths, till Eva saw what seemed a wall of flowers rising before her, while the air was filled with the


Flower Fables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

laughed aloud.

"Why do you laugh?" asked Tarzan.

"Because," replied Mugambi, "I filled the Belgian's pouch with river gravel before I escaped the camp of the Abyssinians whose prisoners we were. I left the Belgian only worthless stones, while I brought away with me the jewels he had stolen from you. That they were afterward stolen from me while I slept in the jungle is my shame and my disgrace; but at least the Belgian lost them--open his pouch and you will see."

Tarzan untied the thong which held the mouth of the


Tarzan and the Jewels of Opar
The third excerpt represents the future or something you must embrace, and is drawn from The Soul of Man by Oscar Wilde:

fine, a healthy work of art is one that has both perfection and personality. Of course, form and substance cannot be separated in a work of art; they are always one. But for purposes of analysis, and setting the wholeness of aesthetic impression aside for a moment, we can intellectually so separate them. An unhealthy work of art, on the other hand, is a work whose style is obvious, old- fashioned, and common, and whose subject is deliberately chosen, not because the artist has any pleasure in it, but because he thinks that the public will pay him for it. In fact, the popular novel that the public calls healthy is always a thoroughly unhealthy production; and what the public call an unhealthy novel