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Today's Stichomancy for Ashlee Simpson

The first excerpt represents the past or something you must release, and is drawn from The Hidden Masterpiece by Honore de Balzac:

atmospheric gradations are carefully observed, and yet in spite of your conscientious labor I cannot believe that this beautiful body has the warm breath of life. If I put my hand on that firm, round throat I shall find it cold as marble. No, no, my friend, blood does not run beneath that ivory skin; the purple tide of life does not swell those veins, nor stir those fibres which interlace like net-work below the translucent amber of the brow and breast. This part palpitates with life, but that other part is not living; life and death jostle each other in every detail. Here, you have a woman; there, a statue; here again, a dead body. Your creation is incomplete. You have breathed only a part of your soul into the well-beloved work. The torch of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Vision Splendid by William MacLeod Raine:

seas and plains were being lined with traffic, school, mill and office hummed with life. He wondered why men were so busy and what they were trying to do.

He went to a railroad director and asked: "Why are you building railroads?" "For profits," was the answer. But a laborer beckoned him aside and whispered: "No--we are making the _World_ one neighborhood. East is now next door to West, and all peoples dwell in one continuing city."

The young man went to the boss of a labor union. "Why," he asked, "do you spend your days breeding discontent and leading strikes?" "Why?" repeated the leader fiercely, "that the workers receive

The third excerpt represents the future or something you must embrace, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis:

Were there to worship at those feet . . . to vi- brate and change color with the moods of those unusual feet. . . .

"This toe," she said, "is Beauty . . . this is Art . . .

This toe is Italy, and this is Greece." . . .

A poet, quite beside himself with inspiration,

Suddenly arose and cried: "This little pig went to market, This little pig stayed home This little pig was Greece, This little pig was Rome!"