| The first excerpt represents the past or something you must release, and is drawn from Frankenstein by Mary Shelley: Yet, as I drew nearer home, grief and fear again overcame me.
Night also closed around; and when I could hardly see the dark
mountains, I felt still more gloomily. The picture appeared a vast
and dim scene of evil, and I foresaw obscurely that I was destined
to become the most wretched of human beings. Alas! I prophesied
truly, and failed only in one single circumstance, that in all the
misery I imagined and dreaded, I did not conceive the hundredth
part of the anguish I was destined to endure. It was completely
dark when I arrived in the environs of Geneva; the gates of the town
were already shut; and I was obliged to pass the night at Secheron,
a village at the distance of half a league from the city.
 Frankenstein |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Adam Bede by George Eliot: language, mingled with soothing "who-ho's" while the leg was
examined; that John stood by with quite as much emotion as if he
had been a cunningly carved crab-tree walking-stick, and that
Arthur Donnithorne presently repassed the iron gates of the
pleasure-ground without singing as he went.
He considered himself thoroughly disappointed and annoyed. There
was not another mount in the stable for himself and his servant
besides Meg and Rattler. It was vexatious; just when he wanted to
get out of the way for a week or two. It seemed culpable in
Providence to allow such a combination of circumstances. To be
shut up at the Chase with a broken arm when every other fellow in
 Adam Bede |
The third excerpt represents the future or something you must embrace, and is drawn from The First Men In The Moon by H. G. Wells: penetrate our misty atmosphere. But now at last I could realise the
meaning of the hosts of heaven!
Stranger things we were presently to see, but that airless, star-dusted
sky! Of all things, I think that will be one of the last I shall forget.
The little window vanished with a click, another beside it snapped open
and instantly closed, and then a third, and for a moment I had to close my
eyes because of the blinding splendour of the waning moon.
For a space I had to stare at Cavor and the white-lit things about me to
season my eyes to light again, before I could turn them towards that
pallid glare.
Four windows were open in order that the gravitation of the moon might act
 The First Men In The Moon |