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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

want them any more, when all the sweetness is taken out of them, then they come. We don't want them then," she said, folding their hands resignedly on her little apron. After a while she added: "I remember once, very long ago, when I was a very little girl, my mother had a workbox full of coloured reels. I always wanted to play with them, but she would never let me. At last one day she said I might take the box. I was so glad I hardly knew what to do. I ran round the house, and sat down with it on the back steps. But when I opened the box all the cottons were taken out."

She sat for a while longer, till the Kaffer maid had finished churning, and was carrying the butter toward the house. Then Em prepared to slip off the table, but first she laid her little hand on Waldo's. He stopped his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

defects, like vanquished difficulties, becoming things on which to plume himself. Only when he thought of Miss Mackenzie there fell upon his mind a shadow of regret; that young lady was worthy of better things than plain John Nicholson, still known among schoolmates by the derisive name of 'Fatty'; and he felt, if he could chalk a cue, or stand at ease, with such a careless grace as Alan, he could approach the object of his sentiments with a less crushing sense of inferiority.

Before they parted, Alan made a proposal that was startling in the extreme. He would be at Colette's that night about

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lily of the Valley by Honore de Balzac:

children taught my brother and sisters to join in the persecutions to which I was subjected, and thus keep in the good graces of a mother whom they feared as much as I. Was this partly the effect of a childish love of imitation; was it from a need of testing their powers; or was it simply through lack of pity? Perhaps these causes united to deprive me of the sweets of fraternal intercourse.

Disinherited of all affection, I could love nothing; yet nature had made me loving. Is there an angel who garners the sighs of feeling hearts rebuffed incessantly? If in many such hearts the crushed feelings turn to hatred, in mine they condensed and hollowed a depth from which, in after years, they gushed forth upon my life. In many


The Lily of the Valley
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ion by Plato:

SOCRATES: And when Homer says,

'And she descended into the deep like a leaden plummet, which, set in the horn of ox that ranges in the fields, rushes along carrying death among the ravenous fishes (Il.),'--

will the art of the fisherman or of the rhapsode be better able to judge whether these lines are rightly expressed or not?

ION: Clearly, Socrates, the art of the fisherman.

SOCRATES: Come now, suppose that you were to say to me: 'Since you, Socrates, are able to assign different passages in Homer to their corresponding arts, I wish that you would tell me what are the passages of which the excellence ought to be judged by the prophet and prophetic art';