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Today's Stichomancy for Avril Lavigne

The first excerpt represents the past or something you must release, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

machines repeat the manoeuvre, in precisely the same manner as the units of a battleship squadron emulate the leading vessel when attacking the foe. The tactical evolutions have been laid down, and there is rigid adherence thereto, because only thereby may success be achieved. When the last war-plane has completed its work, the leader swings round and repeats the dash upon the foe. A hail of bullets may scream around the men in the air, but one and all follow faithfully in the leader's trail. One or more machines may fail in the attack, and may even meet with disaster, but nothing interferes with the movements of the squadron as a whole. It is the homogeneity of the attacking fleet which tells,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

"Thy Felix Forever."

CHAPTER III

Five days later Gaudissart started from the Hotel des Faisans, at which he had put up in Tours, and went to Vouvray, a rich and populous district where the public mind seemed to him susceptible of cultivation. Mounted upon his horse, he trotted along the embankment thinking no more of his phrases than an actor thinks of his part which he has played for a hundred times. It was thus that the illustrious Gaudissart went his cheerful way, admiring the landscape, and little dreaming that in the happy valleys of Vouvray his commercial infallibility was about to perish.

The third excerpt represents the future or something you must embrace, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

musician tuning an instrument. Then, looking at Edna, he began to sing:

"Ah! si tu savais!"

"Stop!" she cried, "don't sing that. I don't want you to sing it," and she laid her glass so impetuously and blindly upon the table as to shatter it against a carafe. The wine spilled over Arobin's legs and some of it trickled down upon Mrs. Highcamp's black gauze gown. Victor had lost all idea of courtesy, or else he thought his hostess was not in earnest, for he laughed and went on:

"Ah! si tu savais

Ce que tes yeux me disent"--


Awakening & Selected Short Stories