| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato: some valuable remarks on the Phaedo; of Dr. Greenhill, who had again
revised a portion of the Timaeus; of Mr. R.L. Nettleship, Fellow and Tutor
of Balliol College, to whom I was indebted for an excellent criticism of
the Parmenides; and, above all, of the Rev. Professor Campbell of St.
Andrews, and Mr. Paravicini, late Student of Christ Church and Tutor of
Balliol College, with whom I had read over the greater part of the
translation. I was also indebted to Mr. Evelyn Abbott, Fellow and Tutor of
Balliol College, for a complete and accurate index.
In this, the Third Edition, I am under very great obligations to Mr.
Matthew Knight, who has not only favoured me with valuable suggestions
throughout the work, but has largely extended the Index (from 61 to 175
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey: and wonderful weather had never before been Carley's experience. The dawns
broke cool, fresh, fragrant, sweet, and rosy, with a breeze that seemed of
heaven rather than earth, and the air seemed tremulously full of the murmur
of falling water and the melody of mocking birds. At the solemn noontides
the great white sun glared down hot--so hot that t burned the skin, yet
strangely was a pleasant burn. The waning afternoons were Carley's especial
torment, when it seemed the sounds and winds of the day were tiring, and
all things were seeking repose, and life must soften to an unthinking
happiness. These hours troubled Carley because she wanted them to last, and
because she knew for her this changing and transforming time could not
last. So long as she did not think she was satisfied.
The Call of the Canyon |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield: Andreas cleared the soup bowl, and cleared the fish. As he ate, the room
slowly darkened. A faint wind sprang up and beat the tree branches against
the window. The dining-room looked over the breakwater of the harbour, and
the sea swung heavily in rolling waves. Wind crept round the house,
moaning drearily.
"We're in for a storm. That means I'm boxed up here all day. Well,
there's one blessing; it'll clear the air." He heard the servant girl
rushing importantly round the house, slamming windows. Then he caught a
glimpse of her in the garden, unpegging tea towels from the line across the
lawn. She was a worker, there was no doubt about that. He took up a book,
and wheeled his arm-chair over to the window. But it was useless. Too
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Camille by Alexandre Dumas: shouted at the top of their voices; the dealers who had filled
the benches in front of the auction table tried in vain to obtain
silence, in order to transact their business in peace. Never was
there a noisier or a more varied gathering.
I slipped quietly into the midst of this tumult, sad to think of
when one remembered that the poor creature whose goods were being
sold to pay her debts had died in the next room. Having come
rather to examine than to buy, I watched the faces of the
auctioneers, noticing how they beamed with delight whenever
anything reached a price beyond their expectations. Honest
creatures, who had speculated upon this woman's prostitution, who
Camille |
