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Today's Stichomancy for Barack Obama

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

of withered poppies, which she put on the very morning of Proserpina's disappearance. She roamed about in so wild a way, and with her hair so disheveled, that people took her for some distracted creature, and never dreamed that this was Mother Ceres, who had the oversight of every seed which the husbandman planted. Nowadays, however, she gave herself no trouble about seed time nor harvest, but left the farmers to take care of their own affairs, and the crops to fade or flourish, as the case might be. There was nothing, now, in which Ceres seemed to feel an interest, unless when she saw children at play, or gathering flowers along the wayside. Then, indeed, she would


Tanglewood Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dreams by Olive Schreiner:

some lay on her knee and half covered the book that rested there. She watched the needle go in and out; and the dreary hum of the bees and the noise of the children's voices became a confused murmur in her ears, as she worked slowly and more slowly. Then the bees, the long-legged wasp-like fellows who make no honey, flew closer and closer to her head, droning. Then she grew more and more drowsy, and she laid her hand, with the stocking over it, on the edge of the table, and leaned her head upon it. And the voices of the children outside grew more and more dreamy, came now far, now near; then she did not hear them, but she felt under her heart where the ninth child lay. Bent forward and sleeping there, with the bees flying about her head, she had a weird brain-picture; she thought the bees

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Ideal Husband by Oscar Wilde:

into a convent, or on to the operatic stage, I forget which. No; I think it was decorative art-needlework she took up. I know she had lost all sense of pleasure in life. [Rising.] And now, Gertrude, if you will allow me, I shall leave Mrs. Cheveley in your charge and call back for her in a quarter of an hour. Or perhaps, dear Mrs. Cheveley, you wouldn't mind waiting in the carriage while I am with Lady Brancaster. As I intend it to be a visit of condolence, I shan't stay long.

MRS. CHEVELEY [Rising.] I don't mind waiting in the carriage at all, provided there is somebody to look at one.

LADY MARKBY. Well, I hear the curate is always prowling about the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Sawyer Abroad by Mark Twain:

turn and turn about; and when his watch was out I took his place, and he got out the professor's papers and pens and wrote a letter home to his aunt Polly, tell- ing her everything that had happened to us, and dated it "IN THE WELKIN, APPROACHING ENGLAND," and folded it together and stuck it fast with a red wafer, and directed it, and wrote above the direction, in big writing, "FROM TOM SAWYER, THE ERRONORT," and said it would stump old Nat Parsons, the postmaster, when it come along in the mail. I says:

"Tom Sawyer, this ain't no welkin, it's a balloon."