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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

And there, of our poor self dominion reft, If inference and reason shun Hell, Heaven, and Oblivion, May thwarted will (perforce precarious, But for our conservation better thus) Have no misgiving left Of doing yet what here we leave undone? Or if unto the last of these we cleave, Believing or protesting we believe In such an idle and ephemeral Florescence of the diabolical, --

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Persuasion by Jane Austen:

over his book, and not know when a person speaks to him, or when one drop's one's scissors, or anything that happens. Do you think Lady Russell would like that?"

Lady Russell could not help laughing. "Upon my word," said she, "I should not have supposed that my opinion of any one could have admitted of such difference of conjecture, steady and matter of fact as I may call myself. I have really a curiosity to see the person who can give occasion to such directly opposite notions. I wish he may be induced to call here. And when he does, Mary, you may depend upon hearing my opinion; but I am determined not to judge him beforehand."


Persuasion
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lysis by Plato:

can be the friend of the bad.

True.

But neither can like be the friend of like, as we were just now saying.

True.

And if so, that which is neither good nor evil can have no friend which is neither good nor evil.

Clearly not.

Then the good alone is the friend of that only which is neither good nor evil.

That may be assumed to be certain.

And does not this seem to put us in the right way? Just remark, that the


Lysis
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

he heard a difference in the noise from the dynamo. It was not a difficult examination, being untinctured by suspicion.

The distorted remains of Holroyd, which the electrician removed from the machine, were hastily covered by the porter with a coffee-stained tablecloth. Somebody, by a happy inspiration, fetched a medical man. The expert was chiefly anxious to get the machine at work again, for seven or eight trains had stopped midway in the stuffy tunnels of the electric railway. Azuma-zi, answering or misunderstanding the questions of the people who had by authority or impudence come into the shed, was presently sent back to the stoke-hole by the scientific manager. Of course a crowd