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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot:

flame-like pyramid, and whose retail deference was of the cordial, encouraging kind--jocosely complimentary, and with a certain considerate abstinence from letting out the full force of his mind. It was Mr. Mawmsey's friendly jocoseness in questioning him which had set the tone of Lydgate's reply. But let the wise be warned against too great readiness at explanation: it multiplies the sources of mistake, lengthening the sum for reckoners sure to go wrong.

Lydgate smiled as he ended his speech, putting his foot into the stirrup, and Mr. Mawmsey laughed more than he would have done if he had known who the king's lieges were, giving his "Good morning, sir, good-morning, sir," with the air of one who saw


Middlemarch
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Secret Adversary by Agatha Christie:

have nearly half an hour."

Boris's words had aroused a new train of thought in Tommy's mind. Clearly Whittington was making the journey alone, while the other remained in London. Therefore he was left with a choice as to which he would follow. Obviously, he could not follow both of them unless----Like Boris, he glanced up at the clock, and then to the announcement board of the trains. The Bournemouth train left at 3.30. It was now ten past. Whittington and Boris were walking up and down by the bookstall. He gave one doubtful look at them, then hurried into an adjacent telephone box. He dared not waste time in trying to get hold of Tuppence. In all


Secret Adversary
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Prince by Nicolo Machiavelli:

others in their day, have had their birth and beginning in baseness and obscurity; or have been aggrieved by Fortune in some outrageous way. They have either been exposed to the mercy of wild beasts, or they have had so mean a parentage that in shame they have given themselves out to be sons of Jove or of some other deity. It would be wearisome to relate who these persons may have been because they are well known to everybody, and, as such tales would not be particularly edifying to those who read them, they are omitted. I believe that these lowly beginnings of great men occur because Fortune is desirous of showing to the world that such men owe much to her and little to wisdom, because she begins to show her hand when wisdom can really


The Prince
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Prince by Nicolo Machiavelli:

decision. Fortresses, therefore, are useful or not according to circumstances; if they do you good in one way they injure you in another. And this question can be reasoned thus: the prince who has more to fear from the people than from foreigners ought to build fortresses, but he who has more to fear from foreigners than from the people ought to leave them alone. The castle of Milan, built by Francesco Sforza, has made, and will make, more trouble for the house of Sforza than any other disorder in the state. For this reason the best possible fortress is--not to be hated by the people, because, although you may hold the fortresses, yet they will not save you if the people hate you, for there will never be wanting foreigners to


The Prince