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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

these red creatures have sealed their fates--unless--" He paused. "Unless the woman--"

But he got no further. Carthoris guessed what he would have said, and before the words could be uttered he had sprung forward and struck the man across the mouth with his open palm.

Tario frothed in rage and mortification.

"And should you again affront the Princess of Ptarth," warned the Heliumite, "I shall forget that you wear no sword--not for ever may I control my itching sword hand."

Tario shrank back toward the little doorways behind


Thuvia, Maid of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Verses 1889-1896 by Rudyard Kipling:

And as it still shall be. THE BALLAD OF THE "BOLIVAR" Seven men from all the world, back to Docks again, Rolling down the Ratcliffe Road drunk and raising Cain:


Verses 1889-1896
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

came upon a rough ladder at the far side of the cave.

Quickly I mounted it, only to find that it connected at the top with the lower of a series of horizontal wooden bars that spanned the now narrow and shaft-like interior of the tree's stem. These bars were set one above another about three feet apart, and formed a perfect ladder as far above me as I could see.

Dropping to the floor once more, I detailed my discovery to Tars Tarkas, who suggested that I explore aloft as far as I could go in safety while he guarded the entrance against a possible attack.

As I hastened above to explore the strange shaft I found


The Gods of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Northanger Abbey by Jane Austen:

the woods and the shrubberies--always so smooth and so dry; and the abbey in itself was no more to her now than any other house. The painful remembrance of the folly it had helped to nourish and perfect was the only emotion which could spring from a consideration of the building. What a revolution in her ideas! She, who had so longed to be in an abbey! Now, there was nothing so charming to her imagination as the unpretending comfort of a well-connected parsonage, something like Fullerton, but better: Fullerton had its faults, but Woodston probably had none. If Wednesday should ever come!


Northanger Abbey