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Today's Stichomancy for Beyonce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rape of Lucrece by William Shakespeare:

Thine, mine, his own: suppose thou dost defend me From what is past: the help that thou shalt lend me Comes all too late, yet let the traitor die; For sparing justice feeds iniquity.

'But ere I name him, you fair lords,' quoth she, (Speaking to those that came with Collatine) 'Shall plight your honourable faiths to me, With swift pursuit to venge this wrong of mine; For 'tis a meritorious fair design To chase injustice with revengeful arms: Knights, by their oaths, should right poor ladies' harms.'

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Woman of No Importance by Oscar Wilde:

to seal it, when door L.C. opens and MRS. ARBUTHNOT enters. GERALD lays down sealing-wax. Mother and son look at each other.]

LADY HUNSTANTON. [Through French window at the back.] Good-bye again, Gerald. We are taking the short cut across your pretty garden. Now, remember my advice to you - start at once with Lord Illingworth.

MRS. ALLONBY. AU REVOIR, Mr. Arbuthnot. Mind you bring me back something nice from your travels - not an Indian shawl - on no account an Indian shawl.

[Exeunt.]

GERALD. Mother, I have just written to him.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Battle of the Books by Jonathan Swift:

there.

No preacher is listened to but Time, which gives us the same train and turn of thought that older people have tried in vain to put into our heads before.

When we desire or solicit anything, our minds run wholly on the good side or circumstances of it; when it is obtained, our minds run wholly on the bad ones.

In a glass-house the workmen often fling in a small quantity of fresh coals, which seems to disturb the fire, but very much enlivens it. This seems to allude to a gentle stirring of the passions, that the mind may not languish.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

"We are not animals!" I replied with some sharpness. "At least we are something more--something higher. This is a far nobler and more beautiful relation, as I have explained before. Your view seems to us rather--shall I say, practical? Prosaic? Merely a means to an end! With us--oh, my dear girl--cannot you see? Cannot you feel? It is the last, sweetest, highest consummation of mutual love."

She was impressed visibly. She trembled in my arms, as I held her close, kissing her hungrily. But there rose in her eyes that look I knew so well, that remote clear look as if she had gone far away even though I held her beautiful body so close,


Herland