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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

lay beyond. No human eye had ever seen them, and as I studied the emotions conveyed in the carvings, I prayed that none ever might. There are protecting hills along the coast beyond them - Queen Mary and Kaiser Wilhelm Lands - and I thank Heaven no one has been able to land and climb those hills. I am not as sceptical about old tales and fears as I used to be, and I do not laugh now at the prehuman sculptor’s notion that lightning paused meaningfully now and then at each of the brooding crests, and that an unexplained glow shone from one of those terrible pinnacles all through the long polar night. There may be a very real and very monstrous meaning in the old Pnakotic whispers about Kadath in the Cold


At the Mountains of Madness
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley:

practical men, liberal and expansive, and yet with a firm standing- ground for thought and action, he learns to complain less and less of Cambridge studies, and more and more of that conceit and haste of his own, which kept him from reaping the full advantage of her training.

These Lectures, as I have said, are altogether crude and fragmentary-- how, indeed, could they be otherwise, dealing with so vast a subject, and so long a period of time? They are meant neither as Essays nor as Orations, but simply as a collection of hints to those who may wish to work out the subject for themselves; and, I trust, as giving some glimpses of a central idea, in the light of which the spiritual history of Alexandria, and perhaps of other countries also, may be seen to have

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Robinson Crusoe by Daniel Defoe:

to them; told them that I was a very considerable owner of the ship, and that if ever they came to England again it would cost them very dear; that the ship was mine, and that he could not put me out of it; and that he would rather lose the ship, and the voyage too, than disoblige me so much: so they might do as they pleased. However, he would go on shore and talk with me, and invited the boatswain to go with him, and perhaps they might accommodate the matter with me. But they all rejected the proposal, and said they would have nothing to do with me any more; and if I came on board they would all go on shore. "Well," said the captain, "if you are all of this mind, let me go on shore and


Robinson Crusoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Misalliance by George Bernard Shaw:

wife instead of his shop-girl. Still, it's curious; but I had more choice than you in a way, because, you see, I was poor; and there are so many more poor men than rich ones that I might have had more of a pick, as you might say, if John hadnt suited me.

HYPATIA. I can imagine all sorts of men I could fall in love with; but I never seem to meet them. The real ones are too small, like Bunny, or too silly, like Jerry. Of course one can get into a state about any man: fall in love with him if you like to call it that. But who would risk marrying a man for love? _I_ shouldnt. I remember three girls at school who agreed that the one man you should never marry was the man you were in love with, because it would make a