| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: to it then? The ladies would have liked to catch sight of the
mansion house, for they were weary of circling on and on, weary of
seeing nothing but leafy recesses through every opening they came
to. They took the rails of the gate in their hands and pressed
their faces against the ironwork. And thus excluded and isolated, a
feeling of respect began to overcome them as they thought of the
castle lost to view in surrounding immensity. Soon, being quite
unused to walking, they grew tired. And the wall did not leave off;
at every turn of the small deserted path the same range of gray
stones stretched ahead of them. Some of them began to despair of
ever getting to the end of it and began talking of returning. But
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac: "You know very well what I mean, you crafty old thing! Be friendly to
our guests, and remember that I love Agathe."
"And you love Maxence Gilet also, who is getting the property away
from your dear Agathe! Ah! you've warmed a viper in your bosom there;
but after all, the Rouget money is bound to go to a Lousteau."
After making this allusion to the supposed parentage and both Max and
Agathe, Hochon turned to leave the room; but old Madame Hochon, a
woman still erect and spare, wearing a round cap with ribbon knots and
her hair powdered, a taffet petticoat of changeable colors like a
pigeon's breast, tight sleeves, and her feet in high-heeled slippers,
deposited her snuff-box on a little table, and said:--
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