| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beauty and The Beast by Bayard Taylor: It was the simplest and quietest wedding,--at home, on an August
morning. Farmer Meadows then drove the bridal pair half-way on
their journey, to the old country tavern, where a fresh conveyance
had been engaged for them. The same evening they reached the farm-
house in the valley, and Jacob's happy mood gave place to an
anxious uncertainty as he remembered the period of deception upon
which Susan was entering. He keenly watched his father's face when
they arrived, and was a little relieved when he saw that his wife
had made a good first impression.
"So, this is my new housekeeper," said the old man. "I hope you
will suit me as well as your husband does."
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Devil's Dictionary by Ambrose Bierce: kinds of testimony which juries are supposed to be unfit to be
entrusted with, and which judges, therefore, rule out, even of
proceedings before themselves alone. Hearsay evidence is inadmissible
because the person quoted was unsworn and is not before the court for
examination; yet most momentous actions, military, political,
commercial and of every other kind, are daily undertaken on hearsay
evidence. There is no religion in the world that has any other basis
than hearsay evidence. Revelation is hearsay evidence; that the
Scriptures are the word of God we have only the testimony of men long
dead whose identity is not clearly established and who are not known
to have been sworn in any sense. Under the rules of evidence as they
 The Devil's Dictionary |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Unconscious Comedians by Honore de Balzac: the grasshopper."
"Here's the history of Ravenouillet," continued Bixiou, when the three
friends reached the boulevard. "In 1831 Massol, the councillor of
state who is dealing with your case, was a lawyer-journalist who at
that time never thought of being more than Keeper of the Seals, and
deigned to have King Louis-Philippe on his throne. Forgive his
ambition, he's from Carcassonne. One morning there entered to him a
young rustic of his parts, who said: 'You know me very well, Mossoo
Massol; I'm your neighbour the grocer's little boy; I've come from
down there, for they tell me a fellow is certain to get a place if he
comes to Paris.' Hearing these words, Massol shuddered, and said to
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lair of the White Worm by Bram Stoker: day he tried the lifting of greater weight, and it seemed almost as
if the machine had a sentience of its own, which was increasing with
the obstacles placed before it. All this time the kite hung in the
sky at an enormous height. The wind was steadily from the north, so
the trend of the kite was to the south. All day long, runners of
increasing magnitude were sent up. These were only of paper or thin
cardboard, or leather, or other flexible materials. The great
height at which the kite hung made a great concave curve in the
string, so that as the runners went up they made a flapping sound.
If one laid a finger on the string, the sound answered to the
flapping of the runner in a sort of hollow intermittent murmur.
 Lair of the White Worm |