| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde: from the rest of the subject world. His view in his history is
that it is not worth while to examine the truth of these stories.
In his hands the history of Rome unrolls before our eyes like some
gorgeous tapestry, where victory succeeds victory, where triumph
treads on the heels of triumph, and the line of heroes seems never
to end. It is not till we pass behind the canvas and see the
slight means by which the effect is produced that we apprehend the
fact that like most picturesque writers Livy is an indifferent
critic. As regards his attitude towards the credibility of early
Roman history he is quite as conscious as we are of its mythical
and unsound nature. He will not, for instance, decide whether the
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato: copy of the first or second Edition with any agent of the Clarendon Press,
shall be entitled to receive a copy of a new Edition at half-price.
PREFACE TO THE FIRST EDITION.
The Text which has been mostly followed in this Translation of Plato is the
latest 8vo. edition of Stallbaum; the principal deviations are noted at the
bottom of the page.
I have to acknowledge many obligations to old friends and pupils. These
are:--Mr. John Purves, Fellow of Balliol College, with whom I have revised
about half of the entire Translation; the Rev. Professor Campbell, of St.
Andrews, who has helped me in the revision of several parts of the work,
especially of the Theaetetus, Sophist, and Politicus; Mr. Robinson Ellis,
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Daughter of Eve by Honore de Balzac: sister-in-law, the Marquise Charles de Vandenesse, wife of the former
ambassador, who had married the widow of the Comte de Kergarouet,
Mademoiselle Emilie de Fontaine.
Half lying on a sofa, her handkerchief in the other hand, her
breathing choked by repressed sobs, and with tearful eyes, the
countess had been making confidences such as are made only from sister
to sister when two sisters love each other; and these two sisters did
love each other tenderly. We live in days when sisters married into
such antagonist spheres can very well not love each other, and
therefore the historian is bound to relate the reasons of this tender
affection, preserved without spot or jar in spite of their husbands'
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from King James Bible: three daughters.
CH1 25:6 All these were under the hands of their father for song in the
house of the LORD, with cymbals, psalteries, and harps, for the service
of the house of God, according to the king's order to Asaph, Jeduthun,
and Heman.
CH1 25:7 So the number of them, with their brethren that were
instructed in the songs of the LORD, even all that were cunning, was two
hundred fourscore and eight.
CH1 25:8 And they cast lots, ward against ward, as well the small as
the great, the teacher as the scholar.
CH1 25:9 Now the first lot came forth for Asaph to Joseph: the second
 King James Bible |