| The first excerpt represents the past or something you must release, and is drawn from The Second Jungle Book by Rudyard Kipling: Baloo
For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make--
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
 The Second Jungle Book |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The New Machiavelli by H. G. Wells: other engaged finely and characteristically, we knew each other best
as activities. We had no delusions about material facts; we didn't
want each other alive or dead, we wanted each other fully alive. We
wanted to do big things together, and for us to take each other
openly and desperately would leave us nothing in the world to do.
We wanted children indeed passionately, but children with every
helpful chance in the world, and children born in scandal would be
handicapped at every turn. We wanted to share a home, and not a
solitude.
And when we were at this stage of realisation, began the intimations
that we were found out, and that scandal was afoot against us. . . .
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The third excerpt represents the future or something you must embrace, and is drawn from The Pool in the Desert by Sara Jeanette Duncan: looked at him, saying nothing, and he straightened himself against
the wall of the hillside, also in silence. It was too early for
conversation. Thus did all the others.
When the last portmanteau had been deposited, a khaki-coloured heap
on the shed floor rose up as a broad-shouldered Punjabi driver, and
walked round the luggage, looking at it.
'And you, owls' brethren,' he said, with sarcasm, addressing the
first coolie, 'you have undertaken to carry these matter fifty-eight
kos to Kalka, have you?'
'Na,' replied the coolie, stolidly, and spat.
'How else, then, is it to be taken?' the driver cried, with anger in
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