| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol: red cloth were spotted with tar, to show his utter disdain for them.
Having admired to his heart's content, Bulba passed on through the
narrow street, crowded with mechanics exercising their trades, and
with people of all nationalities who thronged this suburb of the
Setch, resembling a fair, and fed and clothed the Setch itself, which
knew only how to revel and burn powder.
[1] Sometimes written Zaporovian.
At length they left the suburb behind them, and perceived some
scattered kurens[2], covered with turf, or in Tatar fashion with felt.
Some were furnished with cannon. Nowhere were any fences visible, or
any of those low-roofed houses with verandahs supported upon low
 Taras Bulba and Other Tales |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Firm of Nucingen by Honore de Balzac: himself by a too serious belief in the sun of Austerlitz. Honest
Alsacien as he was, he did not suspend payment, nor did he give his
creditors shares in doubtful concerns by way of settlement. He paid
everything over the counter, and retired from business, thoroughly
deserving Nucingen's comment on his behavior--'Honest but stoobid.'
"All claims satisfied, there remained to him five hundred thousand
francs and certain receipts for sums advanced to that Imperial
Government, which had ceased to exist. 'See vat komms of too much
pelief in Nappolion,' said he, when he had realized all his capital.
"When you have been one of the leading men in a place, how are you to
remain in it when your estate has dwindled? D'Aldrigger, like all
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Droll Stories, V. 1 by Honore de Balzac: ever were monks alive. Thus they got halfway through the repast, which
the young priest had not yet touched, hungering only for Imperia, near
whom he was already seated, but speaking that sweet language which the
ladies so well understand, that has neither stops, commas, accents,
letters, figures, characters, notes, nor images. The fat bishop,
sensual and careful enough of the sleek, ecclesiastical garment of
skin for which he was indebted to his late mother, allowed himself to
be plentifully served with hippocras by the delicate hand of Madame,
and it was just at his first hiccough that the sound of an approaching
cavalcade was heard in the street. The number of horses, the "Ho, ho!"
of the pages, showed plainly that some great prince hot with love, was
 Droll Stories, V. 1 |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underground City by Jules Verne: of provisions, enough to last the Ford family for several days.
The absence of the tenants of the cottage was quite unaccountable.
But was it not possible to find out the exact time they had quitted it?
Yes, for in this region, where there was no difference of day or night,
Madge was accustomed to mark with a cross each day in her almanac.
The almanac was pinned up on the wall, and there the last cross
had been made at the 6th of December; that is to say, a day after
the arrival of James Starr, to which Ryan could positively swear.
It was clear that on the 6th of December, ten days ago,
Simon Ford, his wife, son, and guest, had quitted the cottage.
Could a fresh exploration of the mine, undertaken by the engineer,
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