| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Just Folks by Edgar A. Guest: When I dared not travel homewards if my shock of hair was wet,
When I did my brief undressing under fine and friendly trees
In the days before convention rigged us up in b.v.d's.
And I dived for stones and metal on the mill pond's muddy floor,
Then stood naked in the sunshine till my blood grew warm once more.
I was back again, a youngster, in those golden days of old,
When my teeth were wont to chatter and my lips were blue with cold.
The Love of the Game
There is too much of sighing, and weaving
Of pitiful tales of despair.
There is too much of wailing and grieving,
 Just Folks |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Baby Mine by Margaret Mayo: with a sigh of relief that Aggie's feet were large and
reassuring. He also recalled an appropriate quotation: "The
path of virtue is not for women with small feet," it ran. "Yes,
Aggie's feet are undoubtedly large," he concluded. But all this
was not solving Zoie's immediate problem; and an impatient cough
from her made him realise that something was expected of him.
"Why did you lunch with me," he asked, with a touch of
irritation, "if you thought he wouldn't like it?"
"I was hungry," snapped Zoie.
"Oh," grunted Jimmy, and in spite of his dislike of the small
creature his vanity resented the bald assertion that she had not
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Child of Storm by H. Rider Haggard: so far as I am a judge of such matters, was absolutely perfect--that of
a Greek statue indeed. On this point I had an opportunity of forming an
opinion, since, except for her little bead apron and a single string of
large blue beads about her throat, her costume was--well, that of a
Greek statue. Her features showed no trace of the negro type; on the
contrary, they were singularly well cut, the nose being straight and
fine and the pouting mouth that just showed the ivory teeth between,
very small. Then the eyes, large, dark and liquid, like those of a
buck, set beneath a smooth, broad forehead on which the curling, but not
woolly, hair grew low. This hair, by the way, was not dressed up in any
of the eccentric native fashions, but simply parted in the middle and
 Child of Storm |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson: battle of Waterloo, and I may come to fancy the VICOMTE one of the
first, and Heaven knows the best, of my own works. At least, I
avow myself a partisan; and when I compare the popularity of the
VICOMTE with that of MONTRO CRISTO, or its own elder brother, the
TROIS MOUSQUETAIRES, I confess I am both pained and puzzled.
To those who have already made acquaintance with the titular hero
in the pages of VINGT ANS APRES, perhaps the name may act as a
deterrent. A man might, well stand back if he supposed he were to
follow, for six volumes, so well-conducted, so fine-spoken, and
withal so dreary a cavalier as Bragelonne. But the fear is idle.
I may be said to have passed the best years of my life in these six
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