The first excerpt represents the past or something you must release, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare: To try your courage and your earnest zeal,
Which you always protest to Albanact;
For at this time, yea, at this present time,
Stout fugitives, come from the Scithians' bounds,
Have pestered every place with mutinies.
But trust me, Lordings, I will never cease
To persecute the rascal runnagates,
Till all the rivers, stained with their blood,
Shall fully show their fatal overthrow.
DEBON.
So shall your highness merit great renown,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gorgias by Plato: ask with what is weaving concerned, and you would reply (would you not?),
with the making of garments?
GORGIAS: Yes.
SOCRATES: And music is concerned with the composition of melodies?
GORGIAS: It is.
SOCRATES: By Here, Gorgias, I admire the surpassing brevity of your
answers.
GORGIAS: Yes, Socrates, I do think myself good at that.
SOCRATES: I am glad to hear it; answer me in like manner about rhetoric:
with what is rhetoric concerned?
GORGIAS: With discourse.
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The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower: In eyther hand a water spoute,
Wherof the stremes rennen oute.
He is of kinde moiste and hot,
And he that of the sterres wot
Seith that he hath of sterres tuo
Upon his heved, and ben of tho
That Capricorn hath on his ende;
And as the bokes maken mende, 1200
That Tholomes made himselve,
He hath ek on his wombe tuelve,
And tweie upon his ende stonde.
 Confessio Amantis |