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Today's Stichomancy for Bruce Willis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tristram Shandy by Laurence Sterne:

the morning, and the boat did not go off till noon, I had time to see enough of Lyons to tire the patience of all the friends I had in the world with it. I will take a walk to the cathedral, said I, looking at my list, and see the wonderful mechanism of this great clock of Lippius of Basil, in the first place--

Now, of all things in the world, I understand the least of mechanism--I have neither genius, or taste, or fancy--and have a brain so entirely unapt for every thing of that kind, that I solemnly declare I was never yet able to comprehend the principles of motion of a squirrel cage, or a common knife-grinder's wheel--tho' I have many an hour of my life look'd up with great devotion at the one--and stood by with as much patience as any

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

the circle of light thrown by the lamps. He was glad to be alone - for only when he was alone could his brain do its best work. He took up one of the lamps and opened the door to the room in which, as far as could be known, the murder had been committed. He walked in carefully and, setting the lamp on the desk, examined the articles lying about on it. There was nothing of importance to be found there. An open Bible and a sheet of paper with notes for the day's sermon lay on top of the desk. In the drawers, none of which were locked, were official papers, books, manuscripts of former sermons, and a few unimportant personal notes.

The flame of the lamp flickered in the breeze that came from the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Night and Day by Virginia Woolf:

firmly, waited for no answer, and took her arm in his. "You know me by this time, the good and the bad," he went on. "You know my tempers. I've tried to let you know my faults. Well, what do you say, Mary?"

She said nothing, but this did not seem to strike him.

"In most ways, at least in the important ways, as you said, we know each other and we think alike. I believe you are the only person in the world I could live with happily. And if you feel the same about me--as you do, don't you, Mary?--we should make each other happy." Here he paused, and seemed to be in no hurry for an answer; he seemed, indeed, to be continuing his own thoughts.

"Yes, but I'm afraid I couldn't do it," Mary said at last. The casual

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Daughter of Eve by Honore de Balzac:

girls themselves would have preferred a less virtuous and more amiable mother. This education bore its natural fruits. Religion, imposed as a yoke and presented under its sternest aspect, wearied with formal practice these innocent young hearts, treated as sinful. It repressed their feelings, and was never precious to them, although it struck its roots deep down into their natures. Under such training the two Maries would either have become mere imbeciles, or they must necessarily have longed for independence. Thus it came to pass that they looked to marriage as soon as they saw anything of life and were able to compare a few ideas. Of their own tender graces and their personal value they were absolutely ignorant. They were ignorant, too, of their own