| The first excerpt represents the past or something you must release, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs: wound around her body from below her breasts left no detail
of her symmetrical proportions unrevealed, but her face was
the face of an imbecile. At sight of her Smith-Oldwick halted,
momentarily expecting that his presence would elicit screams
for help from her. On the contrary she came toward him
smiling, and when she was close her slender, shapely fingers
touched the sleeve of his torn blouse as a curious child might
handle a new toy, and still with the same smile she examined
him from head to foot, taking in, in childish wonderment,
every detail of his apparel.
Presently she spoke to him in a soft, well-modulated voice
 Tarzan the Untamed |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: It fanned his forehead as he sat -
It lightly bore away his hat,
All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.
With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.
Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.
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The third excerpt represents the future or something you must embrace, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs: his eyes upon her and she guessed the sardonic smile that the
mask hid. For a tense moment the two stood thus. The people below
them kept breathless silence for the play before the throne had
not passed un-noticed.
Dramatic as was the moment it was suddenly rendered trebly so by
the noisy opening of the doors leading to The Hall of Chiefs. All
eyes turned in the direction of the interruption to see another
figure framed in the massive opening--a half-clad figure buckling
the half-adjusted harness hurriedly in place--the figure of
O-Tar, Jeddak of Manator.
"Stop!" he screamed, springing forward along the aisle toward the
 The Chessmen of Mars |