The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Catriona by Robert Louis Stevenson: hope of rescue? and was it by accident, or by design, that the daughter
of James More should walk that day to the seaside?
Presently I came forth behind her in the front of the sandhills and
above the beach. It was here long and solitary; with a man-o'-war's
boat drawn up about the middle of the prospect, and an officer in
charge and pacing the sands like one who waited. I sat down where the
rough grass a good deal covered me, and looked for what should follow.
Catriona went straight to the boat; the officer met her with
civilities; they had ten words together; I saw a letter changing hands;
and there was Catriona returning. At the same time, as if this were
all her business on the Continent, the boat shoved off and was headed
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Damaged Goods by Upton Sinclair: The young fellow took out his card-case. And offered a photograph
to the doctor, who gently refused it. The other blushed with
embarrassment.
"I beg your pardon," he said, "I am ridiculous. That happens to
me, sometimes. Only, put yourself in my place--I love her so!"
His voice broke.
"My dear boy," said the doctor, feelingly, "that is exactly why
you ought not to marry her."
"But," he cried, "if I back out without saying anything they will
guess the truth, and I shall be dishonored."
"One is not dishonored because one is ill."
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Silas Marner by George Eliot: glad if you'll tell me things. But," he added, uneasily, leaning
forward to look at Baby with some jealousy, as she was resting her
head backward against Dolly's arm, and eyeing him contentedly from a
distance--"But I want to do things for it myself, else it may get
fond o' somebody else, and not fond o' me. I've been used to
fending for myself in the house--I can learn, I can learn."
"Eh, to be sure," said Dolly, gently. "I've seen men as are
wonderful handy wi' children. The men are awk'ard and contrairy
mostly, God help 'em--but when the drink's out of 'em, they aren't
unsensible, though they're bad for leeching and bandaging--so
fiery and unpatient. You see this goes first, next the skin,"
Silas Marner |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato: or bind); for aptein is the same as dein, and dein is always a term of
censure; boulomenon aptein roun (wanting to bind the stream) would properly
be boulapteroun, and this, as I imagine, is improved into blaberon.
HERMOGENES: You bring out curious results, Socrates, in the use of names;
and when I hear the word boulapteroun I cannot help imagining that you are
making your mouth into a flute, and puffing away at some prelude to Athene.
SOCRATES: That is the fault of the makers of the name, Hermogenes; not
mine.
HERMOGENES: Very true; but what is the derivation of zemiodes?
SOCRATES: What is the meaning of zemiodes?--let me remark, Hermogenes, how
right I was in saying that great changes are made in the meaning of words
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