The first excerpt represents the past or something you must release, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac: refused credit. The day before yesterday it was announced in his
columns that a gold repeater set with diamonds belonging to a certain
notability had found its way in a curious fashion into the hands of a
private soldier in the Guards; the story promised to the readers might
have come from the Arabian Nights. The notability lost no time in
asking that editor to dine with him; the editor was distinctly a
gainer by the transaction, and contemporary history has lost an
anecdote. Whenever the press makes vehement onslaughts upon some one
in power, you may be sure that there is some refusal to do a service
behind it. Blackmailing with regard to private life is the terror of
the richest Englishman, and a great source of wealth to the press in
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Chouans by Honore de Balzac: to work that a child can handle it. Sometimes the peasants economize
the stone which forms the weight by lengthening the trunk or branch
beyond the pivot. This method of enclosure varies with the genius of
each proprietor. Sometimes it consists of a single trunk or branch,
both ends of which are embedded in the bank. In other places it looks
like a gate, and is made of several slim branches placed at regular
distances like the steps of a ladder lying horizontally. The form
turns, like the /echalier/, on a pivot. These "hedges" and /echaliers/
give the region the appearance of a huge chess-board, each field
forming a square, perfectly isolated from the rest, closed like a
fortress and protected by ramparts. The gate, which is very easy to
 The Chouans |
The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield: about it. It's so hard to explain. You know I've never--" She stopped.
Reggie looked at her. She was smiling. "Isn't it funny?" she said. "I
can say anything to you. I always have been able to from the very
beginning."
He tried to smile, to say "I'm glad." She went on. "I've never known any
one I like as much as I like you. I've never felt so happy with any one.
But I'm sure it's not what people and what books mean when they talk about
love. Do you understand? Oh, if you only knew how horrid I feel. But
we'd be like...like Mr. and Mrs. Dove."
That did it. That seemed to Reginald final, and so terribly true that he
could hardly bear it. "Don't drive it home," he said, and he turned away
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