| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Tramp Abroad by Mark Twain: Titian's Venus is very far from being one of that sort.
Without any question it was painted for a bagnio and it
was probably refused because it was a trifle too strong.
In truth, it is too strong for any place but a public
Art Gallery. Titian has two Venuses in the Tribune;
persons who have seen them will easily remember which one I am
referring to.
In every gallery in Europe there are hideous pictures
of blood, carnage, oozing brains, putrefaction--pictures
portraying intolerable suffering--pictures alive
with every conceivable horror, wrought out in dreadful
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon: it incumbent on itself to share in the functions of the general or of
the commander of cavalry.[10] The sovereign People recognises the fact
that in forgoing the personal exercise of these offices, and leaving
them to the control of the more powerful[11] citizens, it secures the
balance of advantage to itself. It is only those departments of
government which bring emolument[12] and assist the private estate
that the People cares to keep in its own hands.
[3] Cf. "Mem." I. ii. 58 foll.
[4] Lit. "ply the oar and propel the galleys."
[5] See "Econ." viii. 14; Pollux, i. 96; Arist. "Knights," 543 foll.;
Plat. "Laws," v. 707 A; Jowett, "Plat." v. 278 foll.; Boeckh, "P.
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