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Today's Stichomancy for Cameron Diaz

The first excerpt represents the past or something you must release, and is drawn from Anthem by Ayn Rand:

a good Street Sweeper and like all our brother Street Sweepers, save for our cursed wish to know. We looked too long at the stars at night, and at the trees and the earth. And when we cleaned the yard of the Home of the Scholars, we gathered the glass vials, the pieces of metal, the dried bones which they had discarded. We wished to keep these things and to study them, but we had no place to hide them. So we carried them to the City Cesspool.


Anthem
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ancient Regime by Charles Kingsley:

low-born men like Drake, who "would like to see the gentleman that would not set his hand to a rope, and hale and draw with the mariners." Thus sprang up that respect for, even fondness for, severe bodily labour, which the educated class of no nation save our own has ever felt; and which has stood them in such good stead, whether at home or abroad. Thus, too, sprang up the system of society by which (as the ballad sets forth) the squire's son might be a "'prentice good," and marry

"The bailiff's daughter dear That dwelt at Islington,"

without tarnishing, as he would have done on the Continent, the

The third excerpt represents the future or something you must embrace, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Forsooke his Scene, and entred in a brake, When I did him at this aduantage take, An Asses nole I fixed on his head. Anon his Thisbie must be answered, And forth my Mimmick comes: when they him spie, As Wilde-geese, that the creeping Fowler eye, Or russed-pated choughes, many in sort (Rising and cawing at the guns report) Seuer themselues, and madly sweepe the skye: So at his sight, away his fellowes flye, And at our stampe, here ore and ore one fals;


A Midsummer Night's Dream