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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato:

goes round upon a centre must have parts which are different from the centre; but that which has no centre and no parts cannot possibly be carried round upon a centre?

Impossible.

But perhaps the motion of the one consists in change of place?

Perhaps so, if it moves at all.

And have we not already shown that it cannot be in anything?

Yes.

Then its coming into being in anything is still more impossible; is it not?

I do not see why.

Why, because anything which comes into being in anything, can neither as

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gambara by Honore de Balzac:

instruments which I constructed or altered for the purpose. These experiments involved me in vast expenses which had soon exhausted my savings. And yet those were our golden days. In Germany I was appreciated. There has been nothing in my life more glorious than that time. I can think of nothing to compare with the vehement joys I found by the side of Marianna, whose beauty was then of really heavenly radiance and splendor. In short, I was happy.

"During that period of weakness I more than once expressed my passion in the language of earthly harmony. I even wrote some of those airs, just like geometrical patterns, which are so much admired in the world of fashion that you move in. But as soon as I made a little way I met


Gambara
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Polly of the Circus by Margaret Mayo:

whether the solemn bell that once called its flock to worship had become as mute as her own dead heart. She did not hear the whirr of the great machine inside the tent, as it plunged through space with its girl occupant. These things were a part of the daily routine, part of the strange, vague dream through which she must stumble for the rest of her life.

Jim watched her in silence. Her face was turned from him. She had forgotten his presence.

"Star gazin', Poll?" he asked at length, dreading to disturb her revery.

"I guess I was, Jim." She turned to him with a little, forced

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lesser Hippias by Plato:

by Aristotle; the first in the Metaphysics, the latter in the Rhetoric. Neither of them are expressly attributed to Plato, but in his citation of both of them he seems to be referring to passages in the extant dialogues. From the mention of 'Hippias' in the singular by Aristotle, we may perhaps infer that he was unacquainted with a second dialogue bearing the same name. Moreover, the mere existence of a Greater and Lesser Hippias, and of a First and Second Alcibiades, does to a certain extent throw a doubt upon both of them. Though a very clever and ingenious work, the Lesser Hippias does not appear to contain anything beyond the power of an imitator, who was also a careful student of the earlier Platonic writings, to invent. The motive or leading thought of the dialogue may be detected in Xen. Mem.,