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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the past or something you must release, and is drawn from The Mysterious Island by Jules Verne:

proceeded as he was accustomed to do, and the negative obtained, he went away to fix it by means of the chemicals deposited in a dark nook of Granite House.

Returning to the bright light, and examining it well, Herbert perceived on his negative an almost imperceptible little spot on the sea horizon. He endeavored to make it disappear by reiterated washing, but could not accomplish it.

"It is a flaw in the glass," he thought.

And then he had the curiosity to examine this flaw with a strong magnifier which he unscrewed from one of the telescopes.

But he had scarcely looked at it, when he uttered a cry, and the glass


The Mysterious Island
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Soul of the Far East by Percival Lowell:

understanding must exist in the observer for any work to be intelligible. It is only a question of degree. The greater the art-sense in the person addressed, the more had better be left to it. Now in Japan the public is singularly artistic. In fact, the artistic appreciation of the masses there is something astonishing to us, accustomed to our immense intellectual differences between man and man. Sketches are thus peculiarly fitting to such a land.

Besides, there is a quiet modesty about the sketch which is itself taking. To attempt the complete even in a fractional bit of the cosmos, like a picture, has in it a difficulty akin to the logical one of proving a universal negative. The possibilities of failure

The third excerpt represents the future or something you must embrace, and is drawn from The Three Musketeers by Alexandre Dumas:

D'Artagnan looked at the two women, one after the other, and was forced to acknowledge that in his opinion Dame Nature had made a mistake in their formation. To the great lady she had given a heart vile and venal; to the SOUBRETTE she had given the heart of a duchess.

At ten o'clock Milady began to appear restless. D'Artagnan knew what she wanted. She looked at the clock, rose, reseated herself, smiled at D'Artagnan with an air which said, "You are very amiable, no doubt, but you would be charming if you would only depart."

D'Artagnan rose and took his hat; Milady gave him her hand


The Three Musketeers