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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

pleasure; yet the inhabitants seem warm in their nests, and some of them are very wealthy. There are not many (if any) gentlemen or families of note either in the town or very near it. They send two members to Parliament; the present are Sir Peter Parker and Humphrey Parsons, Esq.

And now being at the extremity of the county of Essex, of which I have given you some view as to that side next the sea only, I shall break off this part of my letter by telling you that I will take the towns which lie more towards the centre of the county, in my return by the north and west part only, that I may give you a few hints of some towns which were near me in my route this way, and of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gorgias by Plato:

ask with what is weaving concerned, and you would reply (would you not?), with the making of garments?

GORGIAS: Yes.

SOCRATES: And music is concerned with the composition of melodies?

GORGIAS: It is.

SOCRATES: By Here, Gorgias, I admire the surpassing brevity of your answers.

GORGIAS: Yes, Socrates, I do think myself good at that.

SOCRATES: I am glad to hear it; answer me in like manner about rhetoric: with what is rhetoric concerned?

GORGIAS: With discourse.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

the better classes has her own particular nurse, who teaches her nursery songs in her childhood, is her companion during her youth, goes with her to her husband's home, when she marries presumably to prevent her becoming lonesome, and remains with her through life. In conversation with the granddaughters of a duke and their old nurse, I discovered that the same games the little children play upon the street, they play in the seclusion of their green-tiled palace, and the same nursery songs that entice Morpheus to share the mat shed of the beggar's boy, entice him also to share the silken couch of the emperor in the palace.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

"Even now I see great throngs lining the avenue, hastening to and fro in the round of their duties. I see women and children laughing on the balconies--these we are forbidden to materialize; but yet I see them--they are here. . . . But why not?" he mused. "No longer need I fear Tario--he has done his worst, and failed. Why not indeed?

"Stay, friends," he continued. "Would you see Lothar in all her glory?"

Carthoris and Thuvia nodded their assent, more out of courtesy than because they fully grasped the import of his mutterings.


Thuvia, Maid of Mars