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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

"that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair."

He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort! -- what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other


An Occurrence at Owl Creek Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Night and Day by Virginia Woolf:

manhood, when various affairs of the heart must either be concealed or revealed; here again Mrs. Hilbery was of two minds, and a thick packet of manuscript was shelved for further consideration.

Several years were now altogether omitted, because Mrs. Hilbery had found something distasteful to her in that period, and had preferred to dwell upon her own recollections as a child. After this, it seemed to Katharine that the book became a wild dance of will-o'-the-wisps, without form or continuity, without coherence even, or any attempt to make a narrative. Here were twenty pages upon her grandfather's taste in hats, an essay upon contemporary china, a long account of a summer day's expedition into the country, when they had missed their train,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

captive a powerful blow across the face, which felled her to the floor, placed his foot upon her prostrate form and turning toward the assembled council broke into peals of horrid, mirthless laughter.

For an instant I thought Tars Tarkas would strike him dead, nor did the aspect of Lorquas Ptomel augur any too favorably for the brute, but the mood passed, their old selves reasserted their ascendency, and they smiled. It was portentous however that they did not laugh aloud, for the brute's act constituted a side-splitting witticism according to the ethics which rule green Martian humor.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

the road--and went full into the side of a freight. We found it there last night."

"He might have been thrown under the train by the force of the shock," I said tremulously.

Gertrude shuddered.

"We examined every inch of track. There was--no sign."

"But surely--he can't be--gone!" I cried. "Aren't there traces in the mud--anything?"

"There is no mud--only dust. There has been no rain. And the footpath there is of cinders. Miss Innes, I am inclined to think that he has met with bad treatment, in the light of what has gone


The Circular Staircase