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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

keerful ter see whar the big matted-daown swath led arter it leff the pasturage, but he says he thinks it p'inted towards the glen rud to the village. 'I tell ye, Mis' Corey, they's suthin' abroad as hadn't orter be abroad, an' I for one think that black Wilbur Whateley, as come to the bad end he deserved, is at the bottom of the breedin' of it. He wa'n't all human hisself, I allus says to everybody; an' I think he an' Ol' Whateley must a raised suthin' in that there nailed-up haouse as ain't even so human as he was. They's allus ben unseen things araound Dunwich - livin' things - as ain't human an' ain't good fer human folks.


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

Suppose that he did so day and night, THAT would be like the Sea.

I had a vision of nursery-maids; Tens of thousands passed by me - All leading children with wooden spades, And this was by the Sea.

Who invented those spades of wood? Who was it cut them out of the tree? None, I think, but an idiot could - Or one that loved the Sea.

It is pleasant and dreamy, no doubt, to float

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moral Emblems by Robert Louis Stevenson:

See how the children in the print Bound on the book to see what's in 't! O, like these pretty babes, may you Seize and APPLY this volume too! And while your eye upon the cuts With harmless ardour opes and shuts, Reader, may your immortal mind To their sage lessons not be blind.

Poem: II

Reader, your soul upraise to see, In yon fair cut designed by me,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey:

``Guess you'd better let Fuller call the game,'' he said brusquely.

``If you want to--as the score stands now in our favor,'' replied Delaney.

``Not on your life! It'll be ours or else we'll play it out and beat you to death.''

He departed in high dudgeon.

``Tell Reddie to swing over a little toward left,'' was Delaney's order to Healy. Fire gleamed in the manager's eye.

Fuller called play then, with Reddy Clammer


The Redheaded Outfield