| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bunner Sisters by Edith Wharton: She knelt down before the grate, scraped some bits of coal and
kindling from the bottom of the coal-scuttle, and drew one of the
rocking-chairs up to the weak flame. "There--that'll blaze up in
a minute," she said. She pressed Evelina down on the faded
cushions of the rocking-chair, and, kneeling beside her, began to
rub her hands.
"You're stone-cold, ain't you? Just sit still and warm
yourself while I run and get the kettle. I've got something you
always used to fancy for supper." She laid her hand on Evelina's
shoulder. "Don't talk--oh, don't talk yet!" she implored. She
wanted to keep that one frail second of happiness between herself
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tin Woodman of Oz by L. Frank Baum: and broad brim, and big spectacles covered his eyes. He
peeked around from behind his wife and after looking
hard at the strangers, he said:
"My wisdom assures me that you are merely travelers,
as you say, and not butchers. Butchers have reason to
be afraid of me, but you are safe. We cannot invite you
in, for you are too big for our house, but the boy who
eats is welcome to all the carrots and turnips he
wants. Make yourselves at home in the garden and stay
all night, if you like; but in the morning you must go
away, for we are quiet people and do not care for company."
 The Tin Woodman of Oz |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells: and cry to him, God is there, God will not fail you. A convicted
criminal, frankly penitent, and neither obdurate nor abject,
whatever the evil of his yesterdays, may still die well and bravely
on the gallows to the glory of God. He may step straight from that
death into the immortal being of God.
This persuasion is the very essence of the religion of the true God.
There is no sin, no state that, being regretted and repented of, can
stand between God and man.
CHAPTER THE SEVENTH
THE IDEA OF A CHURCH
1. THE WORLD DAWN
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac: carriage, he showed himself day by day more attentive to the children
and more amiable to their mother. Nevertheless, each day brought Juana
dark presentiments, the presentiments of mothers who tremble without
apparent reason, but who are seldom mistaken when they tremble thus.
For them the veil of the future seems thinner than for others.
At Bordeaux, Diard hired in a quiet street a quiet little house,
neatly furnished, and in it he established his wife. The house was at
the corner of two streets, and had a garden. Joined to the neighboring
house on one side only, it was open to view and accessible on the
other three sides. Diard paid the rent in advance, and left Juana
barely enough money for the necessary expenses of three months, a sum
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