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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato:

The definitions which are offered are all rejected, but it is to be observed that they all tend to throw a light on the nature of temperance, and that, unlike the distinction of Critias between (Greek), none of them are merely verbal quibbles, it is implied that this question, although it has not yet received a solution in theory, has been already answered by Charmides himself, who has learned to practise the virtue of self-knowledge which philosophers are vainly trying to define in words. In a similar spirit we might say to a young man who is disturbed by theological difficulties, 'Do not trouble yourself about such matters, but only lead a good life;' and yet in either case it is not to be denied that right ideas of truth may contribute greatly to the improvement of character.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In Darkest England and The Way Out by General William Booth:

present at least.

While in one case drunkenness may be resolved into a habit, in another it must be accounted a disease. What is wanted in the one case, therefore, is some method of removing the man out of the sphere of the temptation, and in the other for treating the passion as a disease, as we should any other physical affection, bringing to bear upon it every agency, hygienic and otherwise, calculated to effect a cure.

The Dalrymple Homes, in which, on the order of a magistrate and by their own consent, Inebriates can be confined for a time, have been a partial success in dealing with this class in both these respects; but they are admittedly too expensive to be of any service to the poor.


In Darkest England and The Way Out
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Under the Red Robe by Stanley Weyman:

eyes and her voice cut me as if they had been knives. 'Nothing? Do you think, Monsieur, it costs me nothing to lose my self- respect, as I do with every word I speak to you? Do you think it costs me nothing to be here when I feel every look you cast upon me an insult, every breath I take in your presence a contamination? Nothing, Monsieur?' she continued with bitter irony. 'Nay, something! But something which I could not hope to make clear to you.'

I sat for a moment confounded, quivering with pain. It had been one thing to feel that she hated and scorned me, to know that the trust and confidence which she had begun to place in me were

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Daisy Miller by Henry James:

"He is very handsome. One easily sees how it is. She thinks him the most elegant man in the world, the finest gentleman. She has never seen anything like him; he is better, even, than the courier. It was the courier probably who introduced him; and if he succeeds in marrying the young lady, the courier will come in for a magnificent commission."

"I don't believe she thinks of marrying him," said Winterbourne, "and I don't believe he hopes to marry her."

"You may be very sure she thinks of nothing. She goes on from day to day, from hour to hour, as they did in the Golden Age. I can imagine nothing more vulgar. And at the same time," added Mrs. Costello, "depend upon it that she may tell you