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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Call of Cthulhu by H. P. Lovecraft:

cause of death. The professor had been stricken whilst returning from the Newport boat; falling suddenly; as witnesses said, after having been jostled by a nautical-looking negro who had come from one of the queer dark courts on the precipitous hillside which formed a short cut from the waterfront to the deceased's home in Williams Street. Physicians were unable to find any visible disorder, but concluded after perplexed debate that some obscure lesion of the heart, induced by the brisk ascent of so steep a hill by so elderly a man, was responsible for the end. At the time I saw no reason to dissent from this dictum, but latterly I am inclined to wonder - and more than wonder.


Call of Cthulhu
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

SOCRATES: I fancy to myself Heracleitus repeating wise traditions of antiquity as old as the days of Cronos and Rhea, and of which Homer also spoke.

HERMOGENES: How do you mean?

SOCRATES: Heracleitus is supposed to say that all things are in motion and nothing at rest; he compares them to the stream of a river, and says that you cannot go into the same water twice.

HERMOGENES: That is true.

SOCRATES: Well, then, how can we avoid inferring that he who gave the names of Cronos and Rhea to the ancestors of the Gods, agreed pretty much in the doctrine of Heracleitus? Is the giving of the names of streams to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

on eschewing, and sometimes by ladies and gentlemen who have denied themselves the privilege of reading his work. But if a man be sensitive to this wild praise, we must suppose him equally alive to that which often accompanies and always follows it - wild ridicule. A man may have done well for years, and then he may fail; he will hear of his failure. Or he may have done well for years, and still do well, but the critics may have tired of praising him, or there may have sprung up some new idol of the instant, some "dust a little gilt," to whom they now prefer to offer sacrifice. Here is the obverse and the reverse of that empty and ugly thing called popularity. Will any man suppose it worth the gaining?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Waste Land by T. S. Eliot:

But when I look ahead up the white road There is always another one walking beside you Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman -- But who is that on the other side of you?

What is that sound high in the air Murmur of maternal lamentation Who are those hooded hordes swarming Over endless plains, stumbling in cracked earth Ringed by the flat horizon only 370 What is the city over the mountains


The Waste Land