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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mother by Owen Wister:

said one to the other, presently; 'I've not enough for grandmother's.'"

"Ethel took me rather sharply by the arm. 'Did you hear that?' she asked."

"'It can't be she, you know,' said I. 'He would have come back from Europe.'"

"But we found it out at lunch. It was she, and she had been dead for fifteen years."

"Ethel and I talked it over in the train going up to town on Monday morning. We had by that time grown calmer. 'If it is not false pretences,' said she, 'and you cannot sue him for damages, and if it is not stealing or something, and you cannot put him in prison, what are you going to do to him, Richard?'"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

necessary to breed a race of men in whom the life-giving impulses predominate, before the New Protestantism becomes politically practicable.*

*The necessity for breeding the governing class from a selected stock has always been recognized by Aristocrats, however erroneous their methods of selection. We have changed our system from Aristocracy to Democracy without considering that we were at the same time changing, as regards our governing class, from Selection to Promiscuity. Those who have taken a practical part in modern politics best know how farcical the result is.

The most inevitable dramatic conception, then, of the nineteenth

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moll Flanders by Daniel Defoe:

and everything was so handsome and so clean and well, that, in short, I had nothing to say, but was wonderfully pleased and satisfied with what I had met with, which, considering the melancholy circumstances I was in, was far beyond what I looked for.

It might be expected that I should give some account of the nature of the wicked practices of this woman, in whose hands I was now fallen; but it would be too much encouragement to the vice, to let the world see what easy measures were here taken to rid the women's unwelcome burthen of a child clandestinely gotten. This grave matron had several sorts of


Moll Flanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from One Basket by Edna Ferber:

saw him at the Bijou, first row, center. He stayed through two shows each time, and before he had been there fifteen minutes Terry was conscious of him through the back of her head. Orville Platt paid no more heed to the stage, and what was occurring thereon, than if it had not been. He sat looking at Terry, and waggling his head in time to the music. Not that Terry was a beauty. But she was one of those immaculately clean types. That look of fragrant cleanliness was her chief charm. Her clear, smooth skin contributed to it, and the natural penciling of her eyebrows. But the thing that accented it, and gave it a last touch, was the way in which her black hair came down in a little


One Basket