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Today's Stichomancy for Charles Manson

The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

enormously since last I saw it; and a few hundred feet below me, in the deep gap where the Toll House stands and the road runs through into Lake County, it had already topped the slope, and was pouring over and down the other side like driving smoke. The wind had climbed along with it; and though I was still in calm air, I could see the trees tossing below me, and their long, strident sighing mounted to me where I stood.

Half an hour later, the fog had surmounted all the ridge on the opposite side of the gap, though a shoulder of the mountain still warded it out of our canyon. Napa valley and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

latter dreaded, perhaps, to be either killed or laughed at.

Above all things he despised obvious Christians and ciphers with the chrysanthemums of aristocracy in their button-holes. He considered himself above both of these classes. He was afraid of neither the devil nor the leader of society.

When he had a dollar in his pocket his satisfaction with existence was the greatest thing in the world. So, eventually, he felt obliged to work. His father died and his mother's years were divided up into periods of thirty days.

He became a truck driver. He was given the charge of a painstaking pair of horses and a large rattling truck. He invaded the turmoil


Maggie: A Girl of the Streets
The third excerpt represents the future or something you must embrace, and is drawn from The Road to Oz by L. Frank Baum:

he said to the creatures, with more confidence:

"Don't you love me?"

"Yes!" they shouted, all together.

"Then you mustn't harm me, or my friends," said the shaggy man, firmly.

"We love you in soup!" they yelled, and in a flash turned their white sides to the front.

"How dreadful!" said Dorothy. "This is a time, Shaggy Man, when you get loved too much."

"Don't want to be soup!" wailed Button-Bright again; and Toto began to whine dismally, as if he didn't want to be soup, either.

"The only thing to do," said the shaggy man to his friends, in a low


The Road to Oz