| The first excerpt represents the past or something you must release, and is drawn from Mistress Wilding by Rafael Sabatini: of the trap that was set for you. I hastened to the Castle and obtained
a score of musketeers of Slape's company. With those I surprised the
murderers lurking in the garden there, and made an end of them. I
greatly feared I should not come in time; but it is plain that Heaven
preserves Your Majesty for better days."
In the revulsion of feeling, Monmouth's eyes shone moist. Grey sheathed
his sword with an awkward laugh, and a still more awkward word of
apology to Wilding. The Duke, moved by a sudden impulse to make amends
for his unworthy suspicions, for his perhaps unworthy reception of
Wilding earlier that evening in the council-room, drew the sword on
which his hand still rested. He advanced a step.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Verses 1889-1896 by Rudyard Kipling: ~'Morrn, Ferguson. Man, have ye ever thought
What your good leddy costs in coal? . . . I'll burn 'em down to port.~
THE MIRACLES
I sent a message to my dear --
Verses 1889-1896 |
The third excerpt represents the future or something you must embrace, and is drawn from The Research Magnificent by H. G. Wells: upon itself a resonance of Benham's voice; it eked out the hints and
broken sentences of his remembered conversation.
But some things that Benham did not talk about at all, left by their
mere marked absence an impression on White's mind. And occasionally
after Benham had been talking for a long time there would be an
occasional aphasia, such as is often apparent in the speech of men
who restrain themselves from betraying a preoccupation. He would
say nothing about Amanda or about women in general, he was reluctant
to speak of Prothero, and another peculiarity was that he referred
perhaps half a dozen times or more to the idea that he was a "prig."
He seemed to be defending himself against some inner accusation,
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