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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters of Two Brides by Honore de Balzac:

it, I hope. Some of the details in your husband's letter went to my heart. Poor Renee, a mother has a heavy price to pay. I will tell my godson how dearly he must love you. No end of love, my sweet one.

XXXI

RENEE DE L'ESTORADE TO LOUISE DE MACUMER

It is nearly five months now since baby was born, and not once, dear heart, have I found a single moment for writing to you. When you are a mother yourself, you will be more ready to excuse me, than you are now; for you have punished me a little bit in making your own letters so few and far between. Do write, my darling! Tell me of your pleasures; lay on the blue as brightly as you please. It will not hurt

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Journal of the Plague Year by Daniel Defoe:

but after that, I think it was about the 12th of February, another died in another house, but in the same parish and in the same manner.

This turned the people's eyes pretty much towards that end of the town, and the weekly bills showing an increase of burials in St Giles's parish more than usual, it began to be suspected that the plague was among the people at that end of the town, and that many had died of it, though they had taken care to keep it as much from the knowledge of the public as possible. This possessed the heads of the people very much, and few cared to go through Drury Lane, or the other streets suspected, unless they had extraordinary business that obliged them to it

This increase of the bills stood thus: the usual number of burials in a


A Journal of the Plague Year
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sesame and Lilies by John Ruskin:

only in the great Christian poet, the consciousness of a moral law, through which "the gods are just, and of our pleasant vices make instruments to scourge us;" and of the resolved arbitration of the destinies, that conclude into precision of doom what we feebly and blindly began; and force us, when our indiscretion serves us, and our deepest plots do pall, to the confession, that "there's a divinity that shapes our ends, rough hew them how we will."

Is not this a mystery of life?

Be it so, then. About this human life that is to be, or that is, the wise religious men tell us nothing that we can trust; and the wise contemplative men, nothing that can give us peace. But there

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jolly Corner by Henry James:

while they were there had happened to have, before her, a brief but lively discussion with the man in charge, the representative of the building firm that had undertaken his work. He had found himself quite "standing up" to this personage over a failure on the latter's part to observe some detail of one of their noted conditions, and had so lucidly argued his case that, besides ever so prettily flushing, at the time, for sympathy in his triumph, she had afterwards said to him (though to a slightly greater effect of irony) that he had clearly for too many years neglected a real gift. If he had but stayed at home he would have anticipated the inventor of the sky-scraper. If he had but stayed at home he would