| The first excerpt represents the past or something you must release, and is drawn from Herland by Charlotte Gilman: of male creatures, bird, bug, or beast, that works as well, will
you? Or one of our masculine countries where the people work
together as well as they do here! I tell you, women are the natural
cooperators, not men!"
Terry had to learn a good many things he did not want to.
To go back to my little analysis of what happened:
They developed all this close inter-service in the interests of
their children. To do the best work they had to specialize, of
course; the children needed spinners and weavers, farmers and
gardeners, carpenters and masons, as well as mothers.
Then came the filling up of the place. When a population
 Herland |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from O Pioneers! by Willa Cather: Where did it go? Even Frank had his churlish
delicacies; he never reminded her of how much
she had once loved him. For that Marie was
grateful to him.
While Marie was chattering to the French
boys, Amedee called Emil to the back of the
room and whispered to him that they were going
to play a joke on the girls. At eleven o'clock,
Amedee was to go up to the switchboard in the
vestibule and turn off the electric lights, and
 O Pioneers! |
The third excerpt represents the future or something you must embrace, and is drawn from House of Mirth by Edith Wharton: needs more tact than the possessor of an average set of features.
Her ambitions were not as crude as Mrs. Bart's. It had been among
that lady's grievances that her husband--in the early days,
before he was too tired--had wasted his evenings in what she
vaguely described as "reading poetry"; and among the effects
packed off to auction after his death were a score or two of
dingy volumes which had struggled for existence among the boots
and medicine bottles of his dressing-room shelves. There was in
Lily a vein of sentiment, perhaps transmitted from this source,
which gave an idealizing touch to her most prosaic purposes. She
liked to think of her beauty as a power for good, as giving her
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